by Edward B. Crutchley ‧ RELEASE DATE: Oct. 14, 2016
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A British screenwriter relocates to New England and becomes embroiled in small-town life in this novel.
Bill, a British writer, his wife, Catherine, and his son, Daniel, are living in France when opportunity comes knocking. Bill gets an offer to script an American TV series and double his current salary. He uproots his wife and son, installing them in a postwar timber house in the backwater town of Broadacre in New England, where he feels he will find all the tranquility he needs to focus on his craft. From his very arrival, the town appears to have other ideas. No sooner has the family stepped through the front door of its new home than it is disturbed by new neighbors coming by to introduce themselves and invite the clan to a party. Mary-Lou, the family discovers, is an overly flirtatious lawyer, and her husband Tom’s a broad-shouldered, lascivious builder. Soon Bill and Catherine find themselves caught in the unnecessary tangles of a small-town existence. They discover that there is a dispute regarding a shed built on their land. Their house is coveted. A property developer’s covert plan to build a working model village threatens the status quo. And what are all the mysterious goings on in the cemetery? And then come the murders. This book is intriguing, embellished by Crutchley’s (The Black Carriage, 2015) admirably quirky descriptive style: “The falling sun is painting the landscape as routinely as people go to church, as they dance in strange straight lines, obey their absurd speed limits, and as the weather is guaranteed to fall apart straight after Labor Day.” The charming work’s one flaw is that it takes on an ambitiously long list of characters, including crooks, state troopers, priests, and rabbis, which the author struggles to handle. It is not uncommon for a reader to have to backtrack to ascertain who is who and who does what. This is because Crutchley fails to draw sufficiently distinct portraits, to the extent that they become an anodyne blur. It is then necessary to reread passages to distinguish, among others, Tom the builder from Josh the “nose straightener.” But this minor confusion distracts little from an engaging and thoughtfully conceived plot. A family deals with a sleepy Northern town’s secrets in this enjoyably energetic romp.
Pub Date: Oct. 14, 2016
ISBN: N/A
Page Count: 258
Publisher: CreateSpace
Review Posted Online: Nov. 24, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Review Program: Kirkus Indie
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by Colleen Hoover ‧ RELEASE DATE: Aug. 2, 2016
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
SEEN & HEARD
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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