Pleasantly balances a rich family story with historical facts.
In this novel, a family of French Acadians travels the Atlantic coast of Colonial-era America seeking its missing patriarch and a new home in Louisiana, forming lifelong bonds with two Native American guides.
In the 1750s, as the French and Indian War rages, Roman Catholic Acadian colonists find themselves expelled from their homes in “Le Grand Dérangement.” They are being forced out of British-controlled colonies and back to France or to friendlier fields in Louisiana, all for refusing to pledge allegiance to English Protestantism. Among these are the Martins: Denise; her son, Alain; and his twin sister, Julie. Julie is tasked with sending letters on crude birch paper to their grandparents Benjamin and Christine as the family uses their charts and maps to navigate down the Atlantic coast. On the trip, the Martins seek not only a new home, but also Denise’s husband, Andre, who vanished fighting in the war. Along the way, they meet Kateri “Catherine” Anastasia, a stunning Abenaki Algonquin and fellow Catholic, and her noble cousin Evan Le Blanc, who protect them from numerous dangers along the way, ranging from other Native American tribes to drunken Brits and even an alligator. Julie chronicles their travels as well as Evan and Kateri’s fast acceptance into the Martin family, as she and her brother begin to fall for their newfound “siblings.” Beardsley’s (The Scooter Chronicles, 2015, etc.) tale demonstrates an obvious passion for the French culture of the time without neglecting the persecution both Catholics and natives faced. The latter feeds much of the story’s primary conflict, but as a threat, it looms more than it actively menaces. The dialogue is enjoyable and snappy, if a little modern (though this aids in its approachability), and Julie’s narration gives the book a proper yet delicate style of prose. But sticking purely to Julie’s point of view is a bit limiting to the narrative, as one of the overarching themes of the novel is the role masculinity and femininity play in social and family dynamics. It would have been nice to get a more intimate view of her mother’s promotion to the family’s head due to the absence of Andre.
Pleasantly balances a rich family story with historical facts.Pub Date: Aug. 1, 2014
ISBN: 978-1-4917-4056-9
Page Count: 180
Publisher: iUniverse
Review Posted Online: Dec. 27, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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