illustrated by Edward Burtynsky & developed by Melcher Media ‧ RELEASE DATE: May 14, 2012
In all, a first-class photographic portfolio, intelligently aided by multimedia technology to provoke thought and discussion...
Canadian photographer Burtynsky turns in a grand tour of the big, usually grimy world of petroleum.
In the foreword to this app, Burtynsky, known for epic-scale landscapes, recounts experiencing an epiphany of sorts 15-odd years ago, when it occurred to him that “all the vast man-altered landscapes I had pursued for over 20 years had been made possible by the discovery of oil and the progress occasioned by the internal combustion engine.” The impressive portfolio he assembles here chronicles that progress, if such it is, in various guises, from the tangles of spaghetti-strand highways that ring cities such as Houston, Las Vegas and, most especially, Los Angeles to the detritus of industrial civilization. It records both the celebration of oil culture (most poetically invoked in Burtynsky’s oddly unsettling photograph of a big rig circling the NASCAR track at Talladega) and the undeniably damaging effects oil is having on the world (including some harrowing images of the Deepwater Horizon explosion). Burtynsky’s work is worthy of study by budding photographers for many reasons: his mastery of light and of composition and particularly his pronounced penchant for getting up high and looking down on the world, affording views not often seen. This app well serves his intentions, and it does a good job of highlighting the best qualities of his work. On the demerit side, it’s not especially easy to navigate or bookmark, and sometimes a lot serves where a little might have done (one mountain of used tires gets the point across, so three images seem like overkill). Those quibbles aside, though, the app is a fertile blend of media, with film that takes readers on a guided tour of Burtynsky’s gallery, voice-overs that comment sagely on the technical and thematic aspects of individual photographs, well-made images that beg for retina-display view, and last—and perhaps least, since there’s not enough of it—text.
In all, a first-class photographic portfolio, intelligently aided by multimedia technology to provoke thought and discussion about the world around us.Pub Date: May 14, 2012
ISBN: N/A
Page Count: -
Publisher: Melcher Media
Review Posted Online: June 26, 2012
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Aug. 2, 2016
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
SEEN & HEARD
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