Magnificently creepy.
The first in a deliciously macabre trilogy for middle graders and young teens channels Dickens crossed with Lemony Snicket.
The Iremongers made their fortune scavenging the discards of London, and now the enormous extended family resides in the eponymous agglomerated mansion surrounded by feral rubbish heaps. Sickly Clod Iremonger, on the cusp of being “trousered” and saddled with adult responsibilities, is distrusted for his queer talent: He hears voices from those assorted “birth objects” (including his own sink plug) to which every member of the household is bonded for life. But now the objects are going astray, there are reports of an ominous Gathering, and storms are brewing in the heaps. When Clod teams up with the spunky servant Lucy Pennant, the sinister heritage of the Iremongers can no longer be concealed. Morbid black-and-white portraits reminiscent of Charles Addams and Edward Gorey punctuate a Gothic tale in turns witty, sweet, thoughtful and thrilling—but always off-kilter—and penned with gorgeous, loopy prose just this side of precious. The malevolent setting and delightfully loathsome cast highlight the odd likability of Lucy, so gleefully felonious and brash, and poor, strange, diffident Clod, whom she inspires to genuine heroism. Suspense and horror gradually accumulate into an avalanche of a climax, leading to the most precipitous of cliffhangers, yet what lingers are uncomfortable questions about treating things—and people—as disposable.
Pub Date: Oct. 2, 2014
ISBN: 978-1-4683-0953-9
Page Count: 416
Publisher: Overlook
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
PROFILES
Fast-moving and intriguing though inconsistent on multiple fronts.
Kids endure rigorous competition aboard a spaceship.
When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.
Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)Pub Date: Sept. 12, 2017
ISBN: 978-0-399-55679-1
Page Count: 384
Publisher: Crown
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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