In this outstanding collection, 78-year-old Hoagland (Early in the Season, 2008, etc.) culls 13 years of magazine writing,...

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SEX AND THE RIVER STYX

From the acclaimed essayist, novelist and travel writer, more deeply profound essays on the conditions of the natural world.

In this outstanding collection, 78-year-old Hoagland (Early in the Season, 2008, etc.) culls 13 years of magazine writing, published in stalwarts like Harper’s and Outside, for a result that, again, will draw comparisons to Thoreau. Another great naturalist, John Muir, once wrote, “I only went out for a walk and finally concluded to stay out till sundown, for going out, I found, was really going in.” There might not be a more apropos line to describe this book, which not only finds Hoagland reminiscing on his many widespread adventures exploring the globe in years past, but also on the connectedness between the destruction of the planet, his mortality and aging, failed love relationships and his impassioned, sometimes polemical but always articulate, brilliant thoughts on humans’ abdication of responsibility to protect nature. Citing an unwavering allegiance to what’s alive, Hoagland believes that “heaven is here and the only heaven we have.” The author is less concerned with his own demise than with the larger unraveling of the world, and these glimmering essays avoid nostalgia or self-pity by focusing on his various entanglements, with past lovers and wives, Tibetan yak herders, a Ugandan family and the circus aerialists with whom he worked 60 years ago. Hoagland possesses the rare quality of being both thirsty to absorb knowledge and experiences and also, organically, to want to pass along what he’s discovered. It’s a wonder, too, that these writings, never pedagogical, allow for the world he’s witnessed to stand as the star of the show.

Pub Date: April 1, 2011

ISBN: 978-1-60358-336-7

Page Count: 288

Publisher: Chelsea Green

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Analyzing his craft, a careful craftsman urges with Thoreauvian conviction that writers should simplify, simplify, simplify.

SEVERAL SHORT SENTENCES ABOUT WRITING

New York Times columnist and editorial board member delivers a slim book for aspiring writers, offering saws and sense, wisdom and waggery, biases and biting sarcasm.

Klinkenborg (Timothy; or, Notes of an Abject Reptile, 2006), who’s taught for decades, endeavors to keep things simple in his prose, and he urges other writers to do the same. (Note: He despises abuses of the word as, as he continually reminds readers.) In the early sections, the author ignores traditional paragraphing so that the text resembles a long free-verse poem. He urges readers to use short, clear sentences and to make sure each one is healthy before moving on; notes that it’s acceptable to start sentences with and and but; sees benefits in diagramming sentences; stresses that all writing is revision; periodically blasts the formulaic writing that many (most?) students learn in school; argues that knowing where you’re headed before you begin might be good for a vacation, but not for a piece of writing; and believes that writers must trust readers more, and trust themselves. Most of Klinkenborg’s advice is neither radical nor especially profound (“Turn to the poets. / Learn from them”), and the text suffers from a corrosive fallacy: that if his strategies work for him they will work for all. The final fifth of the text includes some passages from writers he admires (McPhee, Oates, Cheever) and some of his students’ awkward sentences, which he treats analytically but sometimes with a surprising sarcasm that veers near meanness. He includes examples of students’ dangling modifiers, malapropisms, errors of pronoun agreement, wordiness and other mistakes.

Analyzing his craft, a careful craftsman urges with Thoreauvian conviction that writers should simplify, simplify, simplify.

Pub Date: Aug. 7, 2012

ISBN: 978-0-307-26634-7

Page Count: 224

Publisher: Knopf

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: June 15, 2012

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