A sci-fi saga of an alien world, recounting its wars, its near-destruction and its risky restoration.
Fans of such whimsical fantasy settings as Piers Anthony’s Xanth or Terry Pratchett’s Discworld may be equally impressed by Fisher’s audacious creation. Inchoate is a planet made of dark matter that occupies a point in space inside the Earth but that’s slightly out of phase in time. As a result, the two independent, evolving environments don’t (normally) interact. Inhabitants of Inchoate are one-sixth the size of Homo sapiens, with a quasi-feudal social structure, advanced technology, and a penchant for befriending talking animals such as jackalopes, rats, dogs and spiders. Successive, advanced alien races have visited Inchoate and used it as a key station in their intergalactic teleportation network. This inspires an act of wartime sabotage that causes Inchoate to be accidentally transmitted several light years away; its people awaken from long-term suspended animation to find themselves in a double-star system in Sirius, where they rebuild over the next thousand years. Fisher further stirs the pot by telling his three-part tale out of chronological order, starting in the middle, proceeding to the prologue and then reaching the finale. The major connecting thread between them is the resourceful troubleshooter Naksarben, aka John Narrowpath, aka Brother Nathan, who weaves his way through palace intrigues and virtuous secret operations against tyrants who rely on religious fundamentalism and militarism to gain power. A final, twist ending about the character’s true origin is a head-scratcher, but by then, readers will have bought into the novel’s blend of quantum mechanics and fairy tale. The author, who also contributes scattered maps, diagrams and illustrations, is a master punster, offering character names such as Hans Pholde, Shellson Carapace, a philosophy professor named Eponymous Muser, a scientist and professor named Prudence DeCysseve, a librarian called Reed Tomes, an order called the Monastery of the Inevitable Whens and a capital city dubbed Distopia.
A fetching, seriocomic fantasy of faith, politics, science and death that never succumbs to cuteness.
Pub Date: July 22, 2010
ISBN: 978-1453519615
Page Count: 428
Publisher: Xlibris
Review Posted Online: Oct. 31, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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