An efficacious reconsideration of a songwriter whose career exemplified the cross-pollination of black and white popular music. Everybody knows Arlen's songs (``Get Happy,'' ``Stormy Weather,'' ``Over the Rainbow''), but heretofore his story has been clumped with those of other show-tune composers. Born Hyman Arluck in 1905 to an Orthodox Jewish couple in Buffalo, New York, his early musical experiences were in the world of his father, a respected cantor. But he was electrified by Tin Pan Alley rags, which led him back to more authentic blues sources like Bessie Smith and Louis Armstrong. (A.a nifty passage hints at the correspondences between cantorial music and the aching blue notes in jazz). Arlen's career writing for the Cotton Club revues started when he met lyricist Ted Koehler. Arlen wasn't patrician, and black musicians and dancers liked him. His music was played by the Ellington and Calloway bands, and his songs became street hits. By the mid-'30s, that era ended abruptly, and he turned to Broadway and Hollywood, but mostly the latter, in a Faustian bargain for better pay and concomitant obscurity. His collaborations with Yip Harburg and Johnny Mercer stood out, and by the rock-'n'-roll era, he had made it to grand-old-man status as a composer of unusually winding melodies rooted in the blues. He had also slid into depression with a thunk: His relationship with his wife, Anya, became nearly nonexistent, and she died in 1970 after long suffering from a barely treated neurological illness; Arlen's last two decades were often dark and solitary. Veteran author Jablonski (Alan Jay Lerner, 1996, etc.), who had family cooperation and access to many personal files, reestablishes himself in these tricky passages as a reliable chronicler of American songwriters. Though at times overconsiderate (the subject remains unnecessarily saintly through some questionably racist musicals, dalliances with other women, etc.), this definitive book draws Arlen with complexity and clarity. (illustrations, not seen)
Pub Date: June 28, 1996
ISBN: 1-55553-263-2
Page Count: 490
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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