An imaginative, free-wheeling SF adventure with a strong focus on family.
Four girls and their running coach develop supernatural powers in this debut novel.
Middle-school girls Cassie, Bridget, and Jillian and junior high student Nicole are known as the Blugees, named after the blue markers on one of their running trails. Their coach—Bridget and Nicole’s father; Jillian’s uncle—is just called Dad. When out running one day, Dad and the Blugees come across a mysterious blue tree that engulfs them in blue pollen. From this moment on, all the girls manifest superpowers: Jillian can manipulate time; Cassie has extraordinary speed; Bridget’s thinking skills are greatly enhanced; and Nicole can fly. At first, the girls simply enjoy their new abilities. But then their future selves send them a warning: A superhuman named Kirk has come back in time to kill the Blugees and change history. As the girls grow up, they must increase their powers further and defeat Kirk. But even if they are successful, new challenges will await. A radioactive meteor is heading for Earth and if unchecked will wipe out all life. Can Dad and the Blugees save the world? In this SF series opener, Morse writes in the first person, narrating from Dad’s perspective in an unsettling mix of past and present tense (often within paragraphs). This stylistic quirk aside, the prose and dialogue are straightforward and the story simply told. The plot itself, though a wonderfully tangled potpourri of time paradoxes and superpower problems and solutions, is navigated calmly. One of the strengths of the story is that it unfolds across many years, allowing readers to follow the Blugees’ growth—collectively and as individuals—from girls to young women to parents. Dad remains an affectionate elder statesman, maturing into a grandfather, and the Blugees’ children are all the more relatable for being the offspring of established characters. While the tale’s pacing seems leisurely at times, several of the plot crises return in unexpected ways, adding to the sense of peril. Readers of all ages should enjoy the ride.
An imaginative, free-wheeling SF adventure with a strong focus on family.Pub Date: March 16, 2018
ISBN: 978-1-69362-861-0
Page Count: 324
Publisher: Self
Review Posted Online: Dec. 20, 2019
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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