by Eileen Chang ; translated by Karen S. Kingsbury ‧ RELEASE DATE: March 8, 2016
With compelling protagonists and a host of memorable supporting characters, this novel tells an emotionally complex story...
Two star-crossed lovers navigate romantic confusion, familial interference, and looming war in this novel, set in China in the 1930s and '40s.
Shen Shijun and Gu Manzhen, the central characters of this novel by Chang (1920-1995), are both eminently admirable figures: hardworking, kind to their friends, and dedicated to their families. That they slowly realize their love for one another isn’t much of a surprise since their slow-burning recognition occupies much of the book’s first half. Circumstances soon force them to part, and the interference of Manzhen’s family turns what could have been a brief separation into one that lasts for years. Translator Kingsbury's introduction discusses the book's evolution and the circumstances of its publication, which makes for a compelling story on its own. The original version was published in the early 1950s, then substantially revised, with a political plotline excised for a 1969 edition. Though this is, according to Kingsbury’s telling, Chang’s “most popular novel,” this edition marks its first English translation. And there’s plenty to savor. Chang’s attention to detail is meticulous, and the way the plot navigates societal mores and taboos calls to mind the work of Edith Wharton. The novel’s supporting characters are also unpredictable: a brief comic moment reveals the less-than-charitable thoughts of two of Shijun's relatives upon seeing each other for the first time in years: "It's really awful when a man our age gets sick. One bad spell, and he looks positively geriatric!" “Those false teeth make Jyu-sun look like a buck-toothed granny. What a decline since I last saw him!” Over the course of the novel, romance and regret are interlaced, each one given the appropriate weight.
With compelling protagonists and a host of memorable supporting characters, this novel tells an emotionally complex story with a number of powerful moments.Pub Date: March 8, 2016
ISBN: 978-0-307-38754-7
Page Count: 400
Publisher: Anchor
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Eileen Chang ; translated by Jane Weizhen Pan ; Martin Merz
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by Eileen Chang ; introduction by Yiyun Li
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by Eileen Chang & translated by Karen S. Kingsbury & Eileen Chang
by Anthony Doerr ‧ RELEASE DATE: May 6, 2014
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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edited by Anthony Doerr & Heidi Pitlor
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by Nana Kwame Adjei-Brenyah ‧ RELEASE DATE: Oct. 23, 2018
Corrosive dispatches from the divided heart of America.
Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.
The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our “ongoing racial dialogue” a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers’ expectations. “The Finkelstein 5,” the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, “Zimmer Land,” is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or “problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: “The Era,” for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called “Good.” The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there’s more in Adjei-Brenyah’s quiver besides tough-minded satire, as exhibited in “The Lion & the Spider,” a tender coming-of-age story cleverly framed in the context of an African fable.
Corrosive dispatches from the divided heart of America.Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91124-7
Page Count: 208
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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