Endearing and inviting. (Picture book. 2-6)
Earl the cat is back—hurray!
Willy, the young narrator of I Must Have Bobo! (2011) here puts down the book he’s reading in order to create a more exciting story himself, while his sock monkey Bobo serves as audience for his crayon drawings and narrative about a jungle adventure. Earl, the cat who also loves Bobo, provides the action in this drama. The (mostly) unruffled feline antagonist does not deliberately interrupt the crayon story but manages to do so just the same in his determination to carry out his own mission: acquiring Bobo. And without Earl, there would be little tension in this simple story. He creeps over the back of the armchair, only to be casually rebuffed by the hero; he reacts, all his fur on end, to the part in the imaginary narrative where a large snake eats the cat; he climbs atop the “tent” Willy assembles with a couple of chairs and a sheet. The cartoon illustrations create a kind of spotlight for the story: boy, drawing table and crayons, armchair, Bobo and cat. Earl, with his small gray body and round eyes remains both steadfastly catlike and slyly, charmingly funny: a constant companion for Willy, even as Bobo is a more favored and predictable one. Both help to circumscribe a childhood in which adventure is appealingly tolerable and safe.
Endearing and inviting. (Picture book. 2-6)Pub Date: April 3, 2012
ISBN: 978-1-4424-037-9
Page Count: 40
Publisher: Atheneum
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
BOOK REVIEW
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
So sweet it’ll have readers heading for their toothbrushes.
Another entry in the how-much-I-love-you genre.
The opening spread shows a blue elephant-and-child pair, the child atop the adult, white hearts arcing between their uplifted trunks: “You’re a gift and a blessing in every way. / I love you more each and every day.” From there, the adult elephant goes on to tell the child how they are loved more than all sorts of things, some rhyming better than others: “I love you more than all the spaghetti served in Rome, // and more than each and every dog loves her bone.” More than stars, fireflies, “all the languages spoken in the world,” “all the dancers that have ever twirled,” all the kisses ever given and miles ever driven, “all the adventures you have ahead,” and “all the peanut butter and jelly spread on bread!” Representative of all the world’s languages are “I love you” in several languages (with no pronunciation help): English, Sioux, French, German, Swahili, Spanish, Hawaiian, Chinese, and Arabic (these two last in Roman characters only). Bold colors and simple illustrations with no distracting details keep readers’ focus on the main ideas. Dashed lines give the artwork (and at least one word on every spread) the look of 2-D sewn toys.
So sweet it’ll have readers heading for their toothbrushes. (Picture book. 2-6)Pub Date: Dec. 4, 2018
ISBN: 978-1-4926-8398-8
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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