by Einat Tsarfati ; illustrated by Einat Tsarfati ‧ RELEASE DATE: May 5, 2020
Delightfully fanciful, with copious funny details to pore over.
Imagine a sandcastle big enough to hold an ice-skating rink, a greenhouse, a dinosaur skeleton, and galas for kings and queens.
A small child at the edge of the ocean begins a project. “I love building castles in the sand. So I built a sandcastle,” explains the narrator. The visual story frame of an outing to a jam-packed beach doesn’t quite offer a nonfantasy opening: Careful perusal reveals a bed, an elephant, a mummy, and an igloo among the multitudinous, tiny-figured human beachgoers. Soon the quiet child’s golden sandcastle rises up off the top of the page. Fine, light brown lines detail the castle’s architectural features; the child balances delicately atop a turret as the castle reaches eight times the protagonist’s height, then stands inside the castle, gazing out windows that vividly show the real ocean outside. Kings and queens arrive to feast and dance. Everything’s glamorous and copacetic until, suddenly, the sand itself is a problem. It’s in the royal almond strudel. It’s in the armor of sobbing knights. It’s in a king’s fig-milk bath. Everyone’s angry. So the calm builder takes rambunctious action, bringing sand, water, and mood dramatically full circle. Tsarfati’s huge cast is happily multiracial and multinational (the protagonist is paper-white), but some of the diverse portrayals unfortunately rely on cultural stereotypes.
Delightfully fanciful, with copious funny details to pore over. (Picture book. 3-8)Pub Date: May 5, 2020
ISBN: 978-1-5362-1143-6
Page Count: 48
Publisher: Candlewick
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Aly Raisman ; illustrated by Bea Jackson ‧ RELEASE DATE: April 2, 2024
Necessary and empowering.
Olympic gold medalist Raisman, who in 2017 spoke out about the sexual abuse she’d endured, presents a primer on bodily autonomy.
“I am strong. I am beautiful. I am unique. I am enough.” So begin the affirmations that appear in this sensitively written book. Raisman underscores the importance of being kind to one’s body and listening to what it needs. She notes that others need to ask permission before touching our bodies; sometimes the answer will be yes, but other times, it will be no. Either is acceptable. Sometimes, someone will forget to ask or won’t respect the answer. When that happens, children can tell them to stop. If they feel unsafe, and it’s hard to say no, they can ask for help from people who make them feel safe. Our voices are just as “powerful,” “beautiful,” and “worthy” as our bodies. Emphasizing the strength inherent in every person—and making clear that we all deserve respect—Raisman has created a much-needed resource for starting a dialogue about consent. Backmatter offers tips for adults about discussing bodies and boundaries. Jackson’s expressive, pastorally soft illustrations depict people, diverse in terms of race, ability, and body type, practicing gymnastics, gardening, and playing basketball. A light-skinned girl wearing a shirt reading “Aly,” presumably a stand-in for the author, features prominently.
Necessary and empowering. (author’s note) (Picture book. 3-8)Pub Date: April 2, 2024
ISBN: 9781250798107
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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by Aly Raisman with Blythe Lawrence
by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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