A clever tale of cops whose entertaining rivalry is both affecting and conducive to solving murders.
The case of a media mogul who goes inexplicably missing from her own yacht turns into a murder investigation for two New York City detectives in Chadwell’s debut thriller.
The fact that Detective Gigi Mirabelli still has two months of maternity leave to go doesn’t stop her godfather, Chief of Detectives Jimmy Frail, from throwing a case her way. But it’s a high-profile one: multimillionaire media mogul Connie Ross has vanished during a yacht party, and Mirabelli specializes in missing persons cases. Frail pairs her with homicide cop Harry Burns, and the two butt heads almost immediately. Mirabelli hopes to remain lead detective as long as she can until they’re certain that someone actually killed Connie, while Burns is looking to declare it a murder as soon as possible. Unfortunately, pinpointing the people who’d want to kill Connie isn’t so simple. Her fiance, Tre Langston, for one, is upset that she kissed her former lover onstage as a reputed publicity stunt, and she’d also just fired Sandra Spencer, the executive producer of The Connie Ross Show. The investigation changes direction when two people with connections to Connie die, one by subway train and the other after falling from an apartment window. The detectives realize that they must find common ground in order to stop a potential serial killer. What begins as a standard cop story gradually turns into an intricate mystery. Chadwell packs her tale with suspects and doesn’t provide overwhelming evidence that makes it easy for the police to unmask the killer. Mirabelli and Burns constantly rehash their theories, and their combative nature further complicates matters, even if readers know Connie’s fate right away. Burns is the quintessential cop character—borderline alcoholic, broken family—but Mirabelli has hurdles of her own, including an unhelpful husband and a mother-in-law who thinks she should stay at home. The novel is at its finest when the detectives interview people with rapid-fire questions until shocking information is revealed. It’s fitting that the duo, at one point, flip a coin to decide who gets to interrogate a particularly dubious person.
A clever tale of cops whose entertaining rivalry is both affecting and conducive to solving murders.Pub Date: Jan. 24, 2016
ISBN: N/A
Page Count: 290
Publisher: Jaffa Books
Review Posted Online: Aug. 22, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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