An engaging and often lively novel.
In Simon’s latest series thriller, two brothers take on a powerful neo-Nazi organization that uses stolen artificial intelligence in its quest for world domination.
Years ago, Alex Nicholas was gunned down while having dinner in a restaurant. However, thanks to artificial intelligence software that he helped to create, he finds a way to continue his existence in the cloud—as a realistic, nearly sentient facsimile of his living consciousness. His brother, Michael, now the head of Alex’s company, Tartarus, finds solace in this version of his brother and talks to him regularly through a computer interface. Unfortunately for the Nicholas brothers and for the rest of the world, Monsignor Kurt Schlegelberger and Claus Dietrich, members of the Neo-Nazi Free Forces Party, get hold of Alex’s technology and aim to use it to fulfill their goal to “finish what Adolf Hitler began.” Fortunately, the United States government enlists the help of Michael and Alex to stop them. Over the course of this action-packed story, Simon, the author of Death Logs Out (2019), employs prose that’s potent and detailed. He also seamlessly weaves in side plots, including one involving Michael’s former bodyguard/lover, which manage to work even when they’re not particularly necessary to the already busy story. Michael is the de facto protagonist, but Alex is more likely to pique readers’ interest. The chapters effectively veer among the actions of various players, from Michael and Alex’s conversations in Westport, Connecticut, to President Harry O’Brien’s conversations with his security team in Washington, D.C., to a hijacker’s actions as he commandeers a plane and aims to fly it into the White House. The plot does lose some momentum in the middle, however, as characters’ conversations become a bit repetitive.
An engaging and often lively novel.Pub Date: N/A
ISBN: N/A
Page Count: 338
Publisher: Manuscript
Review Posted Online: June 25, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.
The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.
When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.Pub Date: April 9, 2024
ISBN: 9781668010440
Page Count: 368
Publisher: Marysue Rucci Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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