A pleasing romance that may have readers pining for more love stories, perhaps involving Lucia’s three remaining sisters.



Debut author Johns offers a sweet historical romance in a memorable setting.

In 1960, a young Italian woman named Lucia Chiezzi lives in Frascati, Italy, with her parents, her three sisters, her brother and her aunt. With two of her siblings, Lucia commutes into Rome for work daily, and their beauty sets them apart from other villagers. American-born William Bates sees Lucia on his first morning in Rome, and he’s instantly intrigued. Later, he’s delighted to meet her properly at the Carnivale in Frascati. Their mutual attraction is instantaneous; however, William’s conniving father, Joseph, has summoned him to Italy with his own matchmaking agenda in mind. Lucia’s modest circumstances don’t meet Joseph’s standards, and he’s not one to let others’ feelings affect his schemes. Indeed, his determination to drive William and Lucia apart seems to know no bounds. Eager to protect her family, Lucia ends her relationship with William and enlists the help of her sister Vittoria to keep the family’s apartment, as Joseph wants them to be evicted. In addition, Lucia must cope with her fickle boss, Enzo, whose devotion to her grows apace with her own love for William. Johns creates several deeply affecting characters and settings in this novel. Readers may dream of living in the author’s versions of 1960 Rome and Frascati, with their cobblestone streets, haute boutiques and enticing cafes. The people inhabiting them are also arresting, although the women are perhaps more convincingly drawn than the men, except for Joseph and his sidekick, Mario. That said, Joseph’s selfishness and lack of compassion make him almost a caricature at times and make William seem weak and malleable. All of the Chiezzi women are mercurial and emotional, particularly Lucia and her mother, Esther, although the latter’s spontaneity sometimes comes off as merely wacky. Overall, however, readers will find that this novel offers an appealing sojourn into an engaging time and place.

A pleasing romance that may have readers pining for more love stories, perhaps involving Lucia’s three remaining sisters.

Pub Date: Oct. 21, 2014

ISBN: 978-0615763606

Page Count: 274

Publisher: CreateSpace

Review Posted Online: Dec. 12, 2014

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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