Gracefully transports readers on an odyssey that transcends the exotic locale and legacies of war to focus on the power of...

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Back To Vietnam

TOURS OF THE HEART

An intimate travel memoir tracing one veteran’s journey from war to reconciliation.

This moving debut, co-authored by a retired career Army officer and his wife, reveals how a trip to confront the ghosts of his Vietnam War experience led to affinity for Vietnamese culture, a humanitarian commitment, annual three-month stays, and deep friendships with many Vietnamese, including former enemies. Logan and Head take turns narrating self-contained vignettes that advance the larger story in an effective contrapuntal style. Logan served two tours, first as a lieutenant in the thick of combat, then as a captain at a beachfront hotel headquarters. His accounts of battles, brotherhood, brothels, bureaucracy and postwar brooding set a fitting opening tone. Head, a retired corporate trainer with a big heart, gentle spirit, and Buddhist leanings, grew up in Canada and married Logan after both were divorced with grown children. She contributes a more dispassionate view of the war as well as helpful insights about her husband. “Vietnam, A Country Not a War,” her introduction to Part 2, epitomizes the book’s message. They share keen observations about the places they’ve been and introspective feelings about the people they meet. Scenes are colorful, chaotic, and full of contrasts, reflecting Vietnam itself—a communist country lacking social services, full of bustling cities with utility outages, agrarian culture facing bulldozers, and tin-roof huts with satellite dishes. Vestiges of war—rusted fuselages, elders missing limbs, and children with Agent Orange–related birth defects—are everywhere; so is hospitality. Logan and Head began as outsiders smuggling toothbrushes and personal care donations. They grew into part-time residents, distributing portable school libraries and providing managerial support for a startup that employs the disabled. In the process, the couple running that enterprise essentially adopted them as family. Historical context helps reshape wartime caricatures as the authors write with a sense of immediacy and attention to detail that fully invoke the moment and setting for each encounter.

Gracefully transports readers on an odyssey that transcends the exotic locale and legacies of war to focus on the power of human connection.

Pub Date: April 15, 2013

ISBN: 978-0-9917623-0-9

Page Count: 341

Publisher: JOTH Press

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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