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THE DELHI DECEPTION

A swift pace will keep readers hooked as the timely, intriguing plot unravels.

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In Sabharwal’s debut romantic thriller, a 30-something South African journalist travels to Delhi, falls for a mysterious charmer and inadvertently becomes a pawn in a secret mission to uncover a sinister underworld of human trafficking and international crime.

Seeking to surprise her estranged, war-reporter husband, Carla arrives at Andrew’s hotel room in Peshawar only to find him in a compromised position with a female co-worker. Reeling, she takes refuge in the Delhi home of her best friend, Elouise, an expatriate who’s settled in India with her wealthy husband, Harry, and their two children. As a distraction from her heartache, Carla, known for her exotic beauty, easily immerses herself in Elouise’s daily life of leisure, elite parties and full-time servants. While out on a tourist jaunt, Carla’s fate, as well as the novel, takes a dark turn when she’s kidnapped, drugged and nearly sold into sexual slavery. Just in time, George, an acquaintance with a shadowy reputation and no shortage of sex appeal, comes to the rescue. He reveals his true mission to her as part of an operation to catch those at the helm of this seedy venture. For her part, Carla agrees to spy on Harry, whom George believes to be involved somehow. Soon after Carla gives in to her desire for George, her husband appears and begs for forgiveness. She’s left in utter confusion, which is only magnified when Andrew and his aforementioned co-worker put George’s motives and true identity into question. The narrator’s breezy tone and the characters’ indulgence in frivolity contrast appealingly, if oddly, with the novel’s darker depictions, as of the place where young women are subdued with forced drug use and then preened like living dolls and sold to the highest bidder. The detailed accounts of criminal activity, apparently researched by the author, seem to belong to a story not wholly unearthed here, though admittedly, it would be difficult to fully serve these nonfictional elements without overpowering the interpersonal dynamics, which ultimately drive the narrative.

A swift pace will keep readers hooked as the timely, intriguing plot unravels.

Pub Date: Jan. 28, 2013

ISBN: 978-1479105595

Page Count: 370

Publisher: CreateSpace

Review Posted Online: March 7, 2013

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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