by Elena Mannes ‧ RELEASE DATE: May 1, 2011
Preliminary but striking investigations into the effects of music on everything from string theory to a baby’s cry, from documentarian Mannes.
One of the author’s main avenues of exploration is how music impacts the human body, and in turn how the human body impacts music. Much of that work seeks to understand the nature/nurture origins of the musical experience: Why is there music in the first place, and what evolutionary advantage does it serve? One possible answer is that singing helps attract a mate, but that implies that we must enjoy music on some basic level, which may be answered by the fact that listening to music releases hormones like dopamine and oxytocin. Mannes delivers the findings of scientists in an easy voice—this includes her forays into the thickets of music theory as well as brain structure and its response to music—and she is very clear when the material is conditional or the result of only one study. Many of the early findings are truly surprising: that we may be born with perfect pitch, but lose it if we do not cultivate it; that babies cry in musical intervals of 3rds, 4ths and 5ths; that someone took the time to fashion a flute out of a vulture bone 40,000 years ago; that Neanderthals, who had no spoken language, communicated by singing to one another. The author maintains reader interest by touching on plainly fascinating ideas, such as whether there are elements built into musical structure that elicit emotions and whether those emotions are instinctual or associative; the role of music in the healing arts; and the mystery of entrainment. Mannes also examines the idea of a music of the spheres. “Even the Earth has a hum. Every object has a natural frequency at which to vibrate,” she writes. “Even black holes sing.” A well-tempered introduction to music’s far-reaching influence on man, beast and cosmos.
Pub Date: May 1, 2011
ISBN: 978-0-8027-1996-6
Page Count: 272
Publisher: Walker
Review Posted Online: March 2, 2011
Kirkus Reviews Issue: March 1, 2011
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by Robert Greene ‧ RELEASE DATE: Nov. 13, 2012
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...
Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.
The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.Pub Date: Nov. 13, 2012
ISBN: 978-0-670-02496-4
Page Count: 320
Publisher: Viking
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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