by Elena Maria Vidal ‧ RELEASE DATE: Sept. 19, 2014
An imaginative, meticulously told history that will especially appeal to those with Irish roots.
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An Irish immigrant builds a new life in Canada, the decades marked by marriage, children and the odd otherworldly encounter.
Vidal (Madame Royale, 2010, etc.) successfully transforms family stories into a historical novel that chronicles the life of her great-great-great-grandfather Daniel O’Connor, who established a homestead in Ontario in the 19th century. O’Connor, a blacksmith living in County Cork, Ireland, is frustrated in his desire to train as a doctor because of English laws restricting Catholics’ religious freedom and economic chances. When the political activities of his wild younger brother Owen cast suspicion on O’Connor, he flees Ireland, carrying just two mementos of his homeland—a white rosebush uprooted by his mother and a “paradise tree,” a wooden crucifix so called because it represents a ladder of suffering to climb to heaven. Nine years later, he has carved Long Point farm out of the wilderness, creating a home despite the new continent’s own anti-Catholic prejudice. He marries Brigit, a girl 18 years younger than he is, then almost loses her to Owen, who arrives at the farm after his own midnight departure from Eire. But when a vision of his mother appears to him, hands on hips, he finds the will to throw his brother out of the house and confront his bride. She sobs and swears she will die of shame, insisting, “ ‘Oh, yes, I will die. I will,’ she choked. ‘But fret not....I’ll be getting over it.’ ” And she does, bearing 11 children. The novel follows them as they grow to adulthood, marry and have children of their own, with each section of the book told through the eyes of a different character. Though the story unwinds slowly, it never drags.
An imaginative, meticulously told history that will especially appeal to those with Irish roots.Pub Date: Sept. 19, 2014
ISBN: 978-1500656027
Page Count: 252
Publisher: CreateSpace
Review Posted Online: Oct. 9, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Review Program: Kirkus Indie
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BOOK REVIEW
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
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by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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New York Times Bestseller
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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