A romantic tale about the restorative potential of travel that is both emotionally involving and predictable.


An American woman travels to Rome to find her birth mother and ends up entangled in a complicated romance.

Julia Ramos, a Texas native, takes her first trip to Europe in order to find the Italian woman who put her up for adoption when she was a baby. After landing in Rome, she sees a homeless man abusing a small dog, and before she can stop herself, she grabs the puppy and makes a run for it. She races across an open square, darts in front of an oncoming car, and the driver, British architect Daniel Stafford, narrowly avoids running her over. Even as he admonishes her for her reckless behavior, the chemistry between the pair is apparent. As luck would have it, Julia bumps into Daniel multiple times after the near accident, and he offers to help with the search for her mother by driving her and the puppy toward his sister’s house in Tuscany. Julia’s hunt for her mother grows ever more complicated, and she ends up staying with Daniel at his sister’s Tuscan home. Romance ensues, and both worry the relationship will crash, yet neither seems ready to give up. Via straightforward prose, the author presents believable characters with complex interior lives. As the storyline toggles between Daniel’s and Julia’s points of view, Mikalsen (Wrapped in the Stars, 2018) portrays two young adults who are floundering, each struggling to find meaning in the daily lives they’ve been living. As they attempt to find their places, personally and professionally, the result is a compelling tale of two people muddling their way through self-discovery. Although many secondary characters play to type, the novel abounds with well-researched details, ranging from architectural landmarks and topographical details to the cultural norms for ordering pizza. Despite the predictability of the plotline, the evocative emotional connection between the main characters makes the read worthwhile.

A romantic tale about the restorative potential of travel that is both emotionally involving and predictable.

Pub Date: Sept. 2, 2019

ISBN: 978-1-5092-2739-6

Page Count: 342

Publisher: The Wild Rose Press

Review Posted Online: Sept. 13, 2019

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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