by Elin Hilderbrand ‧ RELEASE DATE: July 6, 2010
Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It”...
Queen of the summer novel—how could she not be, with all her stories set on an island—Hilderbrand delivers a beguiling ninth (The Castaways, 2009, etc.), featuring romance and mystery on isolated Tuckernuck Island.
The Tate family has had a house on Tuckernuck (just off the coast of swanky Nantucket) for generations. It has been empty for years, but now Birdie wants to spend a quiet mother-daughter week there with Chess before Chess’s wedding to Michael Morgan. Then the unthinkable happens—perfect Chess (beautiful, rich, well-bred food editor of Glamorous Home) dumps the equally perfect Michael. She quits her job, leaves her New York apartment for Birdie’s home in New Canaan, and all without explanation. Then the unraveling continues: Michael dies in a rock-climbing accident, leaving Chess not quite a widow, but devastated, guilty, unreachable in the shell of herself. Birdie invites her younger daughter Tate (a pretty, naïve computer genius) and her own bohemian sister India, whose husband, world-renowned sculptor Bill Bishop, killed himself years ago, to Tuckernuck for the month of July, in the hopes that the three of them can break through to Chess. Hunky Barrett Lee is their caretaker, coming from Nantucket twice a day to bring groceries and take away laundry (idyllic Tuckernuck is remote—no phone, no hot water, no ferry) as he’s also inspiring renewed lust in Tate, who has had a crush on him since she was a kid. The author jumps between the four women—Tate and her blossoming relationship with Barrett, India and her relationship with Lula Simpson, a painter at the Academy where India is a curator, Birdie, who is surprised by the recent kindnesses of ex-husband Grant, and finally Chess, who in her journal is uncoiling the sordid, sad circumstances of her break with normal life and Michael’s death.
Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It” beach book of the summer.Pub Date: July 6, 2010
ISBN: 978-0-316-04387-8
Page Count: 416
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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