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THE GHOSTS OF BIRDS by Eliot Weinberger

THE GHOSTS OF BIRDS

by Eliot Weinberger

Pub Date: Oct. 4th, 2016
ISBN: 978-0-8112-2618-9
Publisher: New Directions

The accomplished essayist, editor, and translator marries a thirst for other worlds with a questing intellect in this challenging menagerie of writings, some previously published.

Weinberger (The Wall, the City, and the World, 2014, etc.) opens with a sufficiently engaging revision of the Adam and Eve story and attendant superstitions but then launches into a rather cryptic continuation of his serial essay An Elemental Thing, which, despite its often elegant poetics, may confound anyone who has not read the earlier installments. It may puzzle even if one has, given the section's preference for the esoteric, the ethereal, and the enigmatic. However, the author saves it with brief but arresting curiosities from a selection of world subcultures. A writer of impressive, sometimes-daunting erudition, Weinberger offsets this first section's forays into the obscure with measured, eye-opening considerations of subjects ranging from incarnations of the Buddha and the I Ching to the literature of the city and Mongol history, including a devastating critique of an exhibit at New York's Metropolitan Museum of Art. East Indian and Mexican poetry likewise get their due. These exhaustively researched pieces are richly detailed and unfailingly interesting. Contrastingly unrestrained yet telling is his scorched-earth review of George W. Bush's Decision Points. As an aesthete and literary “archaeologist,” Weinberger also exhumes and recovers—or at least re-examines—the artistic reputations of a number of half-forgotten poets, authors, and intellectuals who were lions in their days. This is done with admirable sobriety and finesse and without a trace of hagiography, though for some, it may tend to bog down in minutiae and oddity.

Weinberger says of the I Ching, “its fragments and aphorisms are meant to be dipped into at random.” One might say the same of this book, which dazzles as a repository of knowledge and interpretation but otherwise may be an acquired taste.