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FREUD'S BLIND SPOT

WRITERS ON SIBLINGS

Therapeutic for the editor and a significant bounty for readers.

An introspective, provocative collection of firsthand accounts of siblinghood’s joys and pains.

Editor Albert (The Book of Dahlia, 2008, etc.) admits that her endeavor was cathartic, forcing her to process years of stressful domestic melodrama. She considers herself an only child, though she grew up with two brothers (“the sun and moon of my earliest memories”)—one died young and the other offered constant disappointment, resulting in a painful estrangement. Credited as the “unsung heroes of our psychological development,” the brothers and sisters gathered here range from the good to the bad, the infuriating to the beloved, leaving the meandering and the misunderstood to tug at readers’ heartstrings. Outspoken author Steve Almond (Rock and Roll Will Save Your Life, 2010, etc.) leads off with childhood memories of being cruelly terrorized by his brothers, which bled into his adult life, where all three now (barely) communicate “in a stunted, regressive manner.” Animation artist Eric Orner offers a skillfully drawn, bittersweet portrait of a ’70s summer vacation on Martha’s Vineyard spent consoling his younger brother Peter as their two bickering parents announced a divorce. Novelist Peter Orner (The Second Coming of Mavala Shikongo, 2007, etc.) counters his brother’s perspective by earnestly correlating his memories to the Kennedy Chappaquiddick tragedy. While many essays adeptly form quick, potent family snapshots—e.g., Jay Nicorvo’s nostalgic teenaged rooftop adventure—especially revelatory are the stories of siblings who’ve bonded with each other over life-changing decisions. New Yorker staffer Mary Norris’s brother Dennis guided his sister incrementally through his transsexual transformation to become Dee. T Cooper corners his brother, a former rocker, by e-mail with 38 probing questions that end up enlightening them both on adoption, their parents, guns and his life as a policeman. Forty-something Jewish sisters Jill and Faith Soloway take the same Q&A approach, querying each other on their inner-city Chicago upbringing, Jill’s life as an Emmy-winning TV producer and Faith’s single-motherhood and lesbianism. Other contributors include Etgar Keret, Nalini Jones and Rebecca Wolff.

Therapeutic for the editor and a significant bounty for readers.

Pub Date: Nov. 16, 2010

ISBN: 978-1-4391-5472-4

Page Count: 288

Publisher: Free Press

Review Posted Online: Aug. 18, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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HOW NOT TO HATE YOUR HUSBAND AFTER KIDS

A highly readable account of how solid research and personal testing of self-help techniques saved a couple's marriage after...

Self-help advice and personal reflections on avoiding spousal fights while raising children.

Before her daughter was born, bestselling author Dunn (Why Is My Mother Getting a Tattoo?: And Other Questions I Wish I Never Had to Ask, 2009, etc.) enjoyed steady work and a happy marriage. However, once she became a mother, there never seemed to be enough time, sleep, and especially help from her husband. Little irritations became monumental obstacles between them, which led to major battles. Consequently, they turned to expensive couples' therapy to help them regain some peace in life. In a combination of memoir and advice that can be found in most couples' therapy self-help books, Dunn provides an inside look at her own vexing issues and the solutions she and her husband used to prevent them from appearing in divorce court. They struggled with age-old battles fought between men and women—e.g., frequency of sex, who does more housework, who should get up with the child in the middle of the night, why women need to have a clean house, why men need more alone time, and many more. What Dunn learned via therapy, talks with other parents, and research was that there is no perfect solution to the many dynamics that surface once couples become parents. But by using time-tested techniques, she and her husband learned to listen, show empathy, and adjust so that their former status as a happy couple could safely and peacefully morph into a happy family. Readers familiar with Dunn's honest and humorous writing will appreciate the behind-the-scenes look at her own semi-messy family life, and those who need guidance through the rough spots can glean advice while being entertained—all without spending lots of money on couples’ therapy.

A highly readable account of how solid research and personal testing of self-help techniques saved a couple's marriage after the birth of their child.

Pub Date: March 21, 2017

ISBN: 978-0-316-26710-6

Page Count: 272

Publisher: Little, Brown

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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DAD'S MAYBE BOOK

A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.

Ruminations and reminiscences of an author—now in his 70s—about fatherhood, writing, and death.

O’Brien (July, July, 2002, etc.), who achieved considerable literary fame with both Going After Cacciato (1978) and The Things They Carried (1990), returns with an eclectic assembly of pieces that grow increasingly valedictory as the idea of mortality creeps in. (The title comes from the author’s uncertainty about his ability to assemble these pieces in a single volume.) He begins and ends with a letter: The initial one is to his first son (from 2003); the terminal one, to his two sons, both of whom are now teens (the present). Throughout the book, there are a number of recurring sections: “Home School” (lessons for his sons to accomplish), “The Magic Show” (about his long interest in magic), and “Pride” (about his feelings for his sons’ accomplishments). O’Brien also writes often about his own father. One literary figure emerges as almost a member of the family: Ernest Hemingway. The author loves Hemingway’s work (except when he doesn’t) and often gives his sons some of Papa’s most celebrated stories to read and think and write about. Near the end is a kind of stand-alone essay about Hemingway’s writings about war and death, which O’Brien realizes is Hemingway’s real subject. Other celebrated literary figures pop up in the text, including Elizabeth Bishop, Andrew Marvell, George Orwell, and Flannery O’Connor. Although O’Brien’s strong anti-war feelings are prominent throughout, his principal interest is fatherhood—specifically, at becoming a father later in his life and realizing that he will miss so much of his sons’ lives. He includes touching and amusing stories about his toddler sons, about the sadness he felt when his older son became a teen and began to distance himself, and about his anguish when his sons failed at something.

A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.

Pub Date: Oct. 14, 2019

ISBN: 978-0-618-03970-8

Page Count: 384

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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