A young boy discovers the possibilities of reading on his first day of school. In an unnamed Latin American country, Chepito sets off to explore his neighborhood. He asks the titular question to the seven people he encounters with books, from a girl reading a Mafalda comic book to a mechanic poring over a repair manual to an archeologist on a Maya site. Each answers Chepito’s questioning refrain of “Why, why, why?” differently, illuminating reading's potential. After a barely shown half-day at school, Chepito returns home with a book of his own, eager to share his discovery with his mother and younger sister. Guatemalan-born Amado spends half of the book in a repetitive-phrase pattern but then abruptly shifts to a more traditional narrative format. While some of the familiar questions reappear, the author never regains the engaging structure of the first 14 pages. A few of the words (“hieroglyphics,” “stela” and “archeologist”) will be unfamiliar to the book’s audience, and teachers and parents may wish for a glossary or an author’s note for explication of the Maya references in the text and illustrations. Mexican illustrator Monroy’s palette of mostly tans, browns and greens gives the artwork a nostalgic feel but may appeal more to adults than to young children. Nevertheless, the book captures some of the initial excitement of emergent literacy against a setting too-little seen in North American children's books. (Picture book. 4-7)
Pub Date: April 1, 2011
ISBN: 978-1-55498-070-3
Page Count: 32
Publisher: Groundwood
Review Posted Online: Feb. 18, 2011
Kirkus Reviews Issue: March 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Clever verse coupled with bold primary-colored images is sure to attract and hone the attention of fun-seeking children...
A fizzy yet revealing romp through the toy world.
Though of standard picture-book size, Stein and illustrator Staake’s latest collaboration (Bugs Galore, 2012, etc.) presents a sweeping compendium of diversions for the young. From fairies and gnomes, race cars and jacks, tin cans and socks, to pots ’n’ pans and a cardboard box, Stein combs the toy kingdom for equally thrilling sources of fun. These light, tightly rhymed quatrains focus nicely on the functions characterizing various objects, such as “Floaty, bubbly, / while-you-wash toys” or “Sharing-secrets- / with-tin-cans toys,” rather than flatly stating their names. Such ambiguity at once offers Staake free artistic rein to depict copious items capable of performing those tasks and provides pre-readers ample freedom to draw from the experiences of their own toy chests as they scan Staake’s vibrant spreads brimming with chunky, digitally rendered objects and children at play. The sense of community and sharing suggested by most of the spreads contributes well to Stein’s ultimate theme, which he frames by asking: “But which toy is / the best toy ever? / The one most fun? / Most cool and clever?” Faced with three concluding pages filled with all sorts of indoor and outside toys to choose from, youngsters may be shocked to learn, on turning to the final spread, that the greatest one of all—“a toy SENSATION!”—proves to be “[y]our very own / imagination.”
Clever verse coupled with bold primary-colored images is sure to attract and hone the attention of fun-seeking children everywhere. (Picture book. 4-7)Pub Date: Sept. 10, 2013
ISBN: 978-0-7636-6254-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Great gobs of glue should be more fun than this. (Picture book. 4-7)
Can there be too much glue? Matty’s about to find out.
Matty’s art teacher warns him that too much glue will never dry, but Matty (and his dad) loves glue; they play with it constantly. So Matty finds the “fullest” bottle in the art room and squirts it all over his project. Then he flops down in the middle of the mess…and gets stuck. He’s “a blucky stucky mess!” His friends try to lasso him with yarn and haul him out, but the yarn breaks and gets stuck; now, he’s “a clingy stringy, blucky stucky mess.” A Lego tow truck snaps apart in another rescue attempt, making him a “click-brick, clingy stringy, blucky stucky mess!” When the bell rings, the glue’s dry, and dad must peel gluey Matty off the table. At home, he’s divested of his glue suit, and Dad puts a magnet on it and sticks it to the fridge. After dinner, the family explores the fun of duct tape. Despite the busy plot and superabundance of exclamation marks, Lefebvre’s debut never rises to the level of mayhem or fun it aspires to. The cumulative portion of the tale loses rhyme, rhythm and logic six pages before it ends. Retz’s Photoshop paintings are bright, wide-eyed and goofy, but they can’t add enough fun to compensate for the lackluster text.
Great gobs of glue should be more fun than this. (Picture book. 4-7)Pub Date: Sept. 1, 2013
ISBN: 978-1-9362612-7-7
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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