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LOTUS PETALS

A WAKE-UP CALL

A cerebral, multiple-timelines novel that squanders its premise with its dearth of drama.

A survivalist and a yoga-loving teen occupy several timelines in a story that involves the threat of a nuclear attack.

There are three parallel realities in Fenton’s debut SF novel, the first book in a planned trilogy. In Reality A, Davis, an employee of the agency in charge of Oahu’s coastal defense system, arrives at work only to learn that a North Korean missile is headed straight for Honolulu. He sends out an emergency text to the public, then rushes home, grabs his cat, Merlin, and heads for his backyard bunker. A consummate prepper, Davis has stocked the bunker with the supplies needed for this eventuality—but he didn’t expect his 18-year-old neighbor, Lotus, to pound on the door and beg him to let her in. He does, and she begins to chant. Soon they hear that, although a missile struck the city, a larger war has been averted. In Reality B, Davis accidentally sends out an alert despite the fact that no missile is speeding through the sky. Davis’ estranged daughter, Hannah, reappears in his life and befriends Lotus. In Reality C, there is another false alarm—this time Davis isn’t at fault but becomes the fall guy anyway—but Lotus’ mother goes camping and experiences an earthquake. The three timelines unfold, connected by Merlin—who, in addition to being a cat, is an alien who can connect telepathically with his former owner, who now resides in another dimension—and the yogic power of Lotus’ chants. Fenton’s prose is direct and dialogue-heavy, introducing the book’s heady concepts through her characters’ conversation: “ ‘I don’t suppose you believe we can change timelines with imagination and prayer?’ ‘What do you mean by timelines?’ ‘I mean a shift into a different reality that exists in parallel. A timeline would be one version of reality in an infinite multiverse of possibilities.’ ” Despite the intriguing premise, the timelines end up being fairly similar to one another, and none of them is all that engrossing. In practice, this prospective series opener is far less about surviving a nuclear attack than it is about people doing and talking about yoga. Fenton seems to believe that such a practice can lead to world peace, but whether or not that is true, it doesn’t make for very compelling reading.

A cerebral, multiple-timelines novel that squanders its premise with its dearth of drama.

Pub Date: N/A

ISBN: 978-1-982222-89-5

Page Count: -

Publisher: Self

Review Posted Online: Feb. 12, 2020

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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