Traditional, inoffensive—probably a holiday hit.
Just in time for Christmas, Berg (We Are All Welcome Here, April 2006, etc.) delivers a story about the Christ child, highlighting the romance between his young parents.
What to do with an iconic story known throughout the world? Berg does very little, keeping it safe and simple and with few deviations from the commonly accepted narrative, guaranteed to neither insult nor inspire. Sixteen-year-old Joseph meets 13-year-old Mary at a wedding (they are hiding, still children really, under a banquet table) and fall in love. They are betrothed, but will remain in their respective parents’ homes for a year, until their marriage is finalized with a wedding, and a wedding night. Mary, stubborn and inquisitive, is beginning to question her engagement to Joseph, who, despite his youth, is stern and proper, eager for Mary to adopt her submissive, wifely role. All is turned upside-down, though, when an angel visits Mary to tell her she is with child. Mary is sent off to stay with her cousin Elizabeth, while her mother delivers the miraculous news to Joseph, at home in Nazareth. What man would accept the story of a virgin pregnancy from his wife? Not Joseph. But rather than focus on Joseph’s natural reaction, Berg shows his doubts dispatched by an angelic visit of his own, whereupon he agrees to the planned marriage. They settle into a happy union as Mary prepares to give birth, when they unexpectedly must journey to Bethlehem. The story of their plight—Mary’s anger at Joseph for making her travel so close to the birth; her fear of being without a midwife; his desperation in a strange city where no one will house them for the night—is nicely told, bringing humanity to a scene that is often reduced to greeting-card familiarity. After the birth of Jesus, the family lives happily in Nazareth until Joseph meets an early end, in love with his wife, but still skeptical of the virgin birth. Berg makes conventional, contemporary choices—Mary is spunky; Joseph conflicted—but shies away from any keener analysis of faith or marriage or miracles.
Traditional, inoffensive—probably a holiday hit.Pub Date: Nov. 14, 2006
ISBN: 1-4000-6538-0
Page Count: 160
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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