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RUNNING FROM GOD

MY JOURNEY TO SELF

A familiar but affecting memoir about a search for God.

A spiritually charged memoir recounts a woman’s struggle to find a relationship with God and a sense of self-worth.

As the youngest of three children, debut author Bodner grew up pining for her father’s approval. He was an emotionally aloof man, she writes, who was quick to dispense biting criticism but miserly with praise. As a result, the author suffered from a crippling lack of self-esteem, which made it difficult to form strong bonds with peers. Also, she says, her suppressed emotions led to a feeling of distance between her and God. Indeed, she asserts that the crux of her crisis was always spiritual: “My struggle with food, weight, and self-image was also intimately connected to my struggle with God. I did not yet have a real sense of a loving God to rely on.” The author’s life took a better turn when she met Bob Bodner, when she was 14 and he was 18; they married three years later, in 1950, and went on to have three children. He was a loving, encouraging man, she writes, who helped her discover untapped sources of strength and confidence. She became a founder of the League of Women Voters of Hamilton County, Indiana, and the president of the local parent-teacher organization and got a pilot’s license. After Bob died in 1985, she responded to her grief by turning to Judaism, finding a spiritual mentor (author Louise Dunn, who contributes a foreword), and taking transformative trips to Israel, Egypt, and India. Throughout this memoir Bodner writes in plain, unadorned prose—a style that matches the simple humility of her narrative. Despite her travails, her tone is relentlessly positive throughout—even regarding her father, who receives a sometimes-sympathetic treatment; specifically, she shows how his softer side showed in his love of nature. The author admirably draws on emotional reserves to forgive those who wronged her, and this seems to have been the catalyst for her own emancipation from self-doubt. Overall, although the memoir doesn’t cover unfamiliar ground or issue novel counsel, it’s still a courageously candid account of the author’s triumphs and tragedies.

A familiar but affecting memoir about a search for God.

Pub Date: July 17, 2017

ISBN: 978-1-4575-5535-0

Page Count: 162

Publisher: Dog Ear Publishing

Review Posted Online: Dec. 7, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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