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ALL THINGS CEASE TO APPEAR

With a storyline that tightens like a constrictor, this is a book that you won’t want to read alone late at night.

You get in your car, drive to work, park, and go inside. An ordinary day—except, back at home, someone is chopping your wife to bits, the opening gambit in Brundage’s (A Stranger Like You, 2010, etc.) smart, atmospheric thriller.

Here’s the thing about creepy old farmhouses: they’re full of ghosts, and ax murderers lurk in the tree line. Art history professor George Clare is a rational fellow, but when he moves into the country to teach at a small-town college, he finds his colleagues making odd assumptions: since he knows a thing or two about Swedenborg, then he must be game for a séance. Catherine, his young wife, whose “beauty did not go unnoticed” even out among the yokels, has long since sunk into a quiet depression. They have problems. She doesn’t live long enough to grow to hate the country, though she senses early on that the place they’ve bought from a foreclosed-on local family is fraught with supernatural danger: “Until this house,” she thinks, “she’d never thought seriously of ghosts, at all. Yet, as the days passed, their existence wasn’t even a question anymore—she just knew.” Yup. Question is, who would do her in, leaving a single grim witness, the terrified daughter? There’s no shortage of suspects on the mortal plane, to say nothing of the supernatural. Part procedural, part horror story, part character study, Brundage’s literate yarn is full of telling moments: George is like a “tedious splinter” in Catherine’s mind, while George dismisses her concerns that maybe they shouldn’t be living in a place where horrible things have happened with, “As usual, you’re overreacting.” But more, and better, Brundage carries the arc of her story into the future, where the children of the nightmare, scarred by poverty, worry, meth, Iraq, are bound up in its consequences, the weight of all those ghosts, whether real or imagined, upon them forever.

With a storyline that tightens like a constrictor, this is a book that you won’t want to read alone late at night.

Pub Date: March 8, 2016

ISBN: 978-1-101-87559-9

Page Count: 416

Publisher: Knopf

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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