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COLD-BLOODED MYRTLE

From the Myrtle Hardcastle Mystery series , Vol. 3

Another excellent whodunit with a charming, snarky sleuth.

Morbid Myrtle to the rescue once more, solving murders in her Victorian English village.

It’s convenient that the Swinburne Village’s murderers are every bit as over-the-top and elaborate as Myrtle is dedicated to Investigating. This time around, the murderer signs the elaborate executions by rearranging The Display: each death scene meticulously created in the scale model of the village set up each year for Christmas. Of course, Myrtle would be determined to solve the crimes under any circumstances, but these serial killings seem to have some connection to her dead Mum. Myrtle, a White 12-year-old, has excellent detecting assistants: her French Guianese governess, Miss Judson, who is almost more dedicated to Investigating than Myrtle; White Mr. Blakeney, who still calls Myrtle by the nickname “Stephen”; and Indian British Caroline, whose father was Myrtle’s Mum’s college friend and who is also connected to the killings. Can they unravel the killer’s motives while Swinburne’s worthies are all implicated? What if Caroline’s and Myrtle’s parents are guilty? And why won’t Miss Judson and Myrtle’s father just kiss, already? Classical allusions and a secret society accentuate the Victorian feel, but Myrtle explains the history as much as she explains 19th-century engineering, so readers should only be puzzled by the mystery itself. Comical footnotes pepper the text, adding wit to prose which is already dryly funny. Clues abound, giving astute readers the chance to solve the mystery along with Myrtle.

Another excellent whodunit with a charming, snarky sleuth. (historical note) (Historical mystery. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-61620-920-9

Page Count: 368

Publisher: Algonquin

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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GLORY BE

Though occasionally heavy-handed, this debut offers a vivid glimpse of the 1960s South through the eyes of a spirited girl...

The closing of her favorite swimming pool opens 11-year-old Gloriana Hemphill’s eyes to the ugliness of racism in a small Mississippi town in 1964.

Glory can’t believe it… the Hanging Moss Community Pool is closing right before her July Fourth birthday. Not only that, she finds out the closure’s not for the claimed repairs needed, but so Negroes can’t swim there. Tensions have been building since “Freedom Workers” from the North started shaking up status quo, and Glory finds herself embroiled in it when her new, white friend from Ohio boldly drinks from the “Colored Only” fountain. The Hemphills’ African-American maid, Emma, a mother figure to Glory and her sister Jesslyn, tells her, “Don’t be worrying about what you can’t fix, Glory honey.” But Glory does, becoming an activist herself when she writes an indignant letter to the newspaper likening “hateful prejudice” to “dog doo” that makes her preacher papa proud. When she’s not saving the world, reading Nancy Drew or eating Dreamsicles, Glory shares the heartache of being the kid sister of a preoccupied teenager, friendship gone awry and the terrible cost of blabbing people’s secrets… mostly in a humorously sassy first-person voice.

Though occasionally heavy-handed, this debut offers a vivid glimpse of the 1960s South through the eyes of a spirited girl who takes a stand. (Historical fiction. 9-12)

Pub Date: Jan. 1, 2012

ISBN: 978-0-545-33180-7

Page Count: 208

Publisher: Scholastic

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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FRAMED!

From the Framed! series , Vol. 1

More escapades are promised in this improbable but satisfying series starter

A smart kid foils big-time thieves in the nation’s capital—and joins the FBI.

Using a method he invented called the Theory of All Small Things, white seventh-grader Florian Bates solves mysteries by piecing together seemingly trivial clues in this engaging, humorous, but not always logical caper. When Florian easily helps the FBI recover three masterpieces stolen from the National Gallery of Art, the dazzled feds supply him with an alias and train him at Quantico. Collaborating with his African-American best friend, superbright, athletic Margaret, Florian finds that even with TOAST, sleuthing gets dangerous when the pair, working undercover, come up against a European crime syndicate—and another spectacular art heist in the form of a forgery substituted for an iconic Monet. Exciting adventures ensue, and clues accumulate until the culprit is revealed and the genuine painting located. Missteps intrude, though: a few lapses in logic may leave readers puzzled; some clues seem contrived; and a subplot involving Florian’s discovery of the startling identity of adopted Margaret’s biological father falls flat. The solution is also a letdown: the thief is a minor figure, and the means by which the painting was stolen and the forgery set in its place aren’t explained. The real draws here are the two resourceful leads’ solid, realistic friendship, bolstered by snappy dialogue, brisk pacing, and well-crafted ancillary characters—not to mention behind-the-scenes glimpses of the FBI.

More escapades are promised in this improbable but satisfying series starter . (Mystery. 9-12)

Pub Date: Aug. 23, 2016

ISBN: 978-1-4814-3630-4

Page Count: 304

Publisher: Aladdin

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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