Especially for those late-night movie addicts who happily snuffle at WW II romances in which English men and women soldier on while grabbing at brief, heated hours of Love in the midst of War. In this sizable tale of passion, interrupted in Hong Kong and rewarded in England, Darrell (The Flight of the Flamingo, 1990, etc.) doesn't miss a heartbeat: `` `Then walk away,' she said softly, `walk away now and don't look back!' '' Australian doctor Rod Durman, unhappily married to silly, sexy Celeste, is at home in Hong Kong, where he hopes for a post as a specialist in tropical diseases. Lovely Sarah Channing, an aspiring pianist, has just arrived from England at the request of her banker father—who doesn't, however, seem that happy to see her. Rebelling against attempts to groom her for Hong Kong's elite English society, Sarah grinds away at her music and gives a concert. Rod is transfixed. Also hovering around Sarah is wastrel Alex Tennant, who's bored and running out of the ready. Before the Japanese capture Hong Kong (Alex saw invasion coming, but no one listened), Sarah will know the real reason her father sent for her and why Rod was turned down for the position he so badly wanted. Also, Rod and Sarah, welded in a deathless love, will split apart when Celeste announces she is pregnant. The Japanese invasion brings death and chaos (Darrell's reconstruction is convincing), as well as scary escapes. Alex shows his true heroic colors, taking Sarah and a buddy with him on a makeshift raft and then a four-month walk through enemy territory. Rod is taken prisoner. Pan to England. Sarah's two suitors have miraculously survived to participate in D-day. There will be a marriage for Sarah, but to whom? Veteran White Cliff hands will know in an instant. Old hat, but this stuff still has a devoted, albeit small, readership.
Pub Date: June 1, 1994
ISBN: 0-312-10956-3
Page Count: 512
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1994
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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