A clever premise, but Dewberry takes Ellen (and Diana) far more seriously than most readers will.
In Dewberry’s fourth novel (Sacrament of Lies, 2001, etc.), a woman staying at the Ritz in Paris the night that Princess Diana dies finds herself re-examining her own identity as the trophy wife of a powerful man.
Ellen, a tall, blond beauty without a career of her own, has accompanied her Nobel Prize–winning physicist husband Lawrence to a conference in Paris. The day before Diana’s death, Ellen is briefly mistaken for the princess while getting out of a limo, then crosses paths with her in the hotel’s beauty parlor (the one scene in this oh-so-seriously interior monologue when Dewberry shows a witty light touch) and in the restaurant. With Lawrence busy giving speeches and delving into issues of string theory with his colleagues, including a German woman whose caustic self-assurance underlines Ellen’s intellectual insecurity, Ellen has way too much time on her hands. Out jogging because she can’t sleep, she comes upon the accident scene where she meets a mysterious American photographer named Max, who had taken her picture in front of the hotel that afternoon. Increasingly neglected by Lawrence, who understandably finds her a tad trivial, Ellen obsesses about the death, especially after Diana begins to talk to her. Ellen is soon agonizing over the handsome Max too and tracks him down. He’s fighting his own demons as a guilty member of the paparazzi. There’s the requisite single moment of passionate, deeply meaningful lovemaking before he motorcycles away into the mist. Diana’s soul travels on too, but not before Ellen recognizes the parallels in their lives: unsympathetic mothers, husbands with little time for their emotional needs, their own yearnings for love. The mundane human moments, as when Ellen realizes with embarrassment that she’s walking in the wrong direction, are far more resonant than her ponderous soul-searching.
A clever premise, but Dewberry takes Ellen (and Diana) far more seriously than most readers will.Pub Date: March 20, 2006
ISBN: 0-15-101221-0
Page Count: 288
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2005
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
