by Elizabeth Fuller ‧ RELEASE DATE: Sept. 1, 1997
Though cast against the brilliant red tones of the Australian outback, this slim volume tells a monotone tale of self-discovery. Fuller (Nima: A Sherpa in Connecticut, 1984, etc.) stalks the spiritual, but her language is too thin, and her discoveries are trite. When her off-Broadway play flops miserably and she finds herself tormented by the imminent death of a dear friend suffering from AIDS, she takes to the road with her teenage son in search of revelation in the Australian outback. Fuller rents a house that she soon fears is inhabited by a ghost. Good fortune and abiding spirits bring her to Max Eulo, a warm-hearted Aborigine who leads her into his world and the discovery of the Aboriginal ancestor whose spiritual home she now inhabits. He teaches her to put her ear to the ground and listen for messages from a more meaningful realm. She consults Ouija boards, tracks the calls of rare birds, indulges in deep-breathing exercises, and listens for the plaintive sound of the didgeridoo pipe. At last, a spirit doctor announces that ``the spiritual gateway has been lifted for her to enter.'' Along the way, Fuller rediscovers her profoundly midwestern upbringing, and the depth of her pain over the death of her first husband and her friend's battle with AIDS. She abandons the confines of her Connecticut home, frees her son from blue- bubble-gum and B-Ball madness, and watches for the sun rising in the outback. It is a long way to travel, and harder still to know how much she has learned because of the outback, Max Eulo, or simply the functions of distance and time. While the itinerant melody of the didgeridoo haunts this tale, one can never hear it quite clearly enough to call it genuinely original. (Author tour)
Pub Date: Sept. 1, 1997
ISBN: 0-688-14895-6
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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