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THE BULLET SWALLOWER

Mesmerizing and important.

Historical fiction suffused with contemporary themes.

Antonio Sonoro is the descendent of a long line of legendarily bad men in Dorado, Mexico. He, too, is a bad man, and he will become a figure of legend once he survives a shootout with the Texas Rangers that destroys his face and leaves his brother dead. As El Tragabalas—“The Bullet Swallower”—he inspires both fear and admiration. His grandson will make a different kind of name for himself as a singing cowboy. Jaime’s life as a movie star is as pleasant as Antonio’s was hard, but his tranquil existence is disturbed by two unexpected arrivals: a book detailing the evil exploits of the Sonoro men through history and a stranger who calls himself Remedio. Chapters that alternate between 1895 and 1964 show Antonio battling between his need for revenge and his desire for repentance, and Jaime struggling to understand what his family’s past means for himself, his father, and his children. James makes such deft use of tropes from Westerns, Gothic literature, and magical realism that they don’t feel like tropes at all. She clearly understands why these motifs persist, and she gives them life with prose that’s both spare and intensely rich. This novel is valuable for its gorgeous language and gripping story alone, but the questions it asks could hardly be timelier. Should we be expected to pay for the sins of our ancestors? To whom do we owe reparations? How do we break generational cycles of abuse and trauma? There’s not much overt discussion of race in this novel, but the impact of racism on Antonio’s life is impossible to miss, as is his family’s complicity in exploiting both the land and its Indigenous inhabitants.

Mesmerizing and important.

Pub Date: Jan. 23, 2024

ISBN: 9781668009321

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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