IN CERTAIN CIRCLES

A previously unpublished novel by an Australian author whose work from the 1950s and ’60s has recently found new popularity reveals how a privileged daughter’s bright future leads to misery.

Harrower (The Watch Tower, 2013, etc.) published four novels more than half a century ago, then withdrew the fifth before its scheduled publication and stopped writing. Available now for the first time, the book returns readers to characteristic Harrower terrain via the finely scrutinized interior lives of two very different pairs of siblings divided by social status, assumptions and, above all, psychologies. Zoe and Russell Howard are the gilded children of notable, well-connected parents living in middle-class comfort in Sydney. A chance meeting on a train introduces Russell to Stephen Quayle and then his sister Anna, whose parents’ deaths in a car accident left them under the damaging guardianship of an uncle and his disturbed wife. While Anna seems to have emerged relatively intact, Stephen is angry and judgmental, and beautiful, talented Zoe—“There was something enchanting and winning and touching about her, and she knew it”—is electrified by his difference. Years later, after Zoe has begun a promising career in the film industry in Europe, her mother dies, and returning to Australia, she is reunited with Stephen. Soon they are married, but the honeymoon phase, with Zoe trying to “cure” Stephen of his unhappy past, slowly evolves into something more destructive, as Stephen’s mix of tenderness and abuse slowly eats away at her. Formal in tone and cerebral in style, Harrower’s novel proceeds in a sequence of snapshot episodes dominated by semiabstract conversations. It takes a late kind of theatrical coup to push the actors out of their frozen roles into a reconfigured future.

With its flavor of Henry James, Harrower’s rediscovered story is an odd, brittle yet impressive piece of work that exposes the complex passions beneath a drawing-room-scenario surface.