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BLACK OXEN

“Why are these people trying to teach the world about Taoscal magic?” The answers to this question, and many others, will be...

Byzantine intrigue and melodramatic excess abound to an almost unprecedented degree in this fascinating, inordinately busy new novel from the New Zealand author (The Vintner’s Luck, 1999).

Brief summary won’t help much, but here goes. In 2022, medical therapist Carme Risk is herself undergoing “narrative therapy,” attempting to comprehend the mysterious figure of her father, an apparently ageless and possibly supernatural being known variously as Abra Cadaver, “Ido Idea,” and Walter Risk. An extended flashback takes us to Eden (doubtless in new Zealand), where a foundling who’s autistic, or a genius, or both (“something between feral child and street kid”) is adopted by bachelor loner Carlin Cadaver. The charismatic Abra fathers a daughter, whose later life is chronicled in reports of her therapy sessions and in scenes set (out of chronological order) in Eden, the fictional South American republic of Lequama, and a southern California campus. The restlessness and volatility of Knox’s characters find objective correlatives in the complex aftereffects of Lequama’s bloody revolution (especially as experienced by its Taoscal ethnic majority, as rebel forces rise to and falls from power), and in the tangled interrelations of a cast of nearly 50 important characters, including an ostensibly reformed prostitute and her rebellious daughter, a bisexual male military hero and an Amazonian woman officer, a martyred poet, a morose Newfoundland dog, and a desiccated billionaire who schemes to live forever. Reading this cheerfully overstuffed novel is rather like watching an insanely lavish “epic” film in which dozens of actors play vividly imagined eccentrics: the spectacle is rousing, but the brain-weary viewer despairs of connecting logically together everything that keeps flying past him. Nevertheless, clues are provided by Knox’s brilliantly chosen title (from Yeats’s line “The years like great black oxen tread the world . . . ”) and by subtly placed allusions to Patrick White’s utterly mad novel of hermaphroditism and psychic transference, The Twyborn Affair.

“Why are these people trying to teach the world about Taoscal magic?” The answers to this question, and many others, will be found by the diligent—and patient—reader, somewhere within the sprawling, infuriating pages of Black Oxen.

Pub Date: July 1, 2001

ISBN: 0-374-11405-6

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2001

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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