Mann (The Great Wall, 1997, etc.) offers the older end of the picture-book set a concrete, engaging narrative on another of the man-made wonders of the world. Opening her tale with the failure of the French, under Ferdinand de Lesseps, to construct their own canal in Panama, Mann quickly moves into the details of President Teddy Roosevelt’s obsession with the project; he broke international law by encouraging and aiding Panama’s rebellion for independence in 1903. The resulting treaty—though unfair to Panama—gave Roosevelt all the leverage he needed, and despite yellow fever and malaria, America soon poured thousands of workers and millions of dollars into this enterprise. While there were excellent living conditions for American workers in Panama, those conditions were not duplicated for Caribbean laborers: “Black Caribbeans suffered a higher rate of death from accidents and disease than any other group.” Rangel’s lavish full-color illustrations capture the immense scale of the canal’s construction, from the damming of the Chagres River to the construction of the locks on a four-page, fold-out spread. Mann and Rangel have created an exceptional resource for the classroom, as well as an epic piece of storytelling. (maps, diagrams, index) (Picture book/nonfiction. 9-12)
Pub Date: Nov. 1, 1998
ISBN: 0-9650493-4-5
Page Count: 48
Publisher: Firefly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
It took four weeks for illustrations of scenes from the US’s Civil War battles to make it from the front lines to readers’ hands; Morrison (Cheetah, 1998, etc.) explains that process in his uniquely handsome book. Morrison introduces the fictional artist, William Forbes, commissioned by the fictional Burton’s Illustrated News to follow the Union Army into battle at Bull Run. Throughout the day’s fighting Forbes makes quick sketches; it is risky business, and he is often in mortal peril. That night he makes a more complete drawing, which is handed to a courier and taken back to the Burton offices. There, engravers set to work translating Forbes’s drawing to a grid of wood blocks (Morrison includes interesting incidentals along the way, giving the process its due). The images are converted to electrotype, whereafter it is finally ready for the operators and pressman. Shortly after that, the newsboys are seen hawking the illustrated weekly, containing Forbes’s image a mere month after the actual event. Morrison successfully renders the complexities of illustrating newspapers 150 years ago, and just as successfully conveys that in abandoning the wood block for the photograph, some of the art was sacrificed for speed. (glossary) (Picture book. 6-10)
Pub Date: April 1, 1999
ISBN: 0-395-91426-4
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
paper 1-895688-87-6 Day uses the prehistoric tale of a young girl coming to terms with her fear of bears to explore the world of cave art. Quennu might be able to handle woolly mammoths and sabre-toothed tigers, but cave bears give her the willies. Her clan’s shaman gives her a bear tooth as a talisman to conquer her fear. On the day when the shaman summons all the people to the cave for an ecstatic painting ceremony, Quennu enters the cave after the others have gone on ahead. At one point she is sure she sees the fiery eyes of an enormous cave bear, yet she carries on, the tooth giving her strength. When she finds her clan in the shadowscape of a great chamber, they are singing and dancing and chanting and applying brushes to the cave walls. Quennu joins in, painting the bear, and putting to rest her fears of the creature, but not her respect for it. Day delivers charged, swirling color and smoky imagery in her illustrations, plus the frisson of transportive mystery that may turn children into future history majors. An explanatory page at the end puts the action into context. (Picture book. 7-11)
Pub Date: April 1, 1999
ISBN: 1-895688-86-8
Page Count: 32
Publisher: Firefly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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