A great young-adult novel—as it should be billed.
Plucky pre-teen breaks out of fat camp and embarks upon a cross-country adventure in search of her late-night TV idol.
Adolescence doesn’t hold much promise for 13-year-old Sunnie Sundstrom. She’s sandwiched between a sullen older sister and an overachieving younger brother, her classmates tease her mercilessly and it often seems like her mother won’t love her anymore if she doesn’t drop 18 pounds by the end of eighth grade. The only people who seem to see past Sunnie’s “Huskies for Her” jeans are her beloved Grannie Lassen and Johnny Carson, who makes her nights a bit less lonely. Things promise only to get worse when Grannie suddenly dies and Sunnie is shuttled off to the dreaded “Summer Slim-Down Retreat.” Much to her surprise, though, she finds herself making real friends for the first time, and an unexpected visit from the Pentecostal Bible Camp across the lake brings a handsome boy named Asher Gideon into her life. After an Asher-inspired prank gets her kicked out of camp, Sunnie’s newfound confidence kicks in. She trades her bus ticket back home to suburban Milwaukee for one to Los Angeles, where she vows to meet her hero. Though she clearly faces obstacles along the way, including an old man with unsavory intentions, persistence pays off and Sunnie comes to realize exactly how far she’s come. Sunnie navigates the world with grit and gumption, even if she’s the last person to realize it, and her ugly-duckling story will resonate with teenagers who aren’t sure they like what they see in the mirror. But for adults more removed from the injustices of middle school, the sweet premise and likable narrator won’t quite be enough.
A great young-adult novel—as it should be billed.Pub Date: Jan. 23, 2006
ISBN: 1-57962-125-2
Page Count: 200
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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