LIVING DEAD GIRL

Scott, best known for such chick-lit pleasers as Bloom (2008), breaks the mold with this harrowing tale of abuse leavened only by lyric writing à la Adam Rapp (33 Snowfish, 2003, etc.). When Alice was ten, Ray kidnapped her; five years later, Alice wishes only to escape by dying, as the last Alice did. But her freedom comes at a price—a new girl for Ray. Bit by bit, Alice reveals the depths of psychological and physical terror that hold her captive. Her voice is convincingly naïve yet prematurely aged; vivid but never graphic, details of the sexual abuse perfectly capture the way in which she has normalized her situation while still recognizing the truth. Ray is a complex abuser, perhaps a bit too psychotic but terrifying nevertheless; he himself was abused, and the logic of how his own past has shaped his present and his treatment of Alice never falters. Choosing Ray’s next victim does not provide a re-entry into empathy, a bold but believable choice. Scott provides neither easy answers nor a happy resolution, although the ending provides a grim sense of release. (Fiction. 16 & up)