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THE FOOLS OF CHELM AND THEIR HISTORY

Singer's broadside history reminds us that the population of Chelm consists of no one but fools, and they've known nothing but trouble ever since Gronam Ox, first ruler and Sage of Sages, invented the word crisis. Chelm is then perceived to be So badly off that the council of sages (Dopey, Numskull, etc.) agrees that only a war can save the village, and though the soldiers end up invading the wrong town, never mind: "The truth is, the whole world considers us fools. No matter whom we attack, it will be exactly what they deserve." Instead it's the invaders who get what they deserve, and as "a lost war sooner or later is followed by a revolution, that is what happened in Chelm." But the rebel's decree against money only aggravates the discontent and confusion, so Feitel the thief takes over — only to be replaced, when his policies lead to further disaster, by Gronam and the sages back from exile. At last the Women's Party, led by Gronam's wife Yente Pesha, decides to run the government while the men do the dishes — "but Gronam remains optimistic: 'The future is bright. The chances are good that some day the whole world will be one great Chelm!'" Shulevitz' view of all parties — the gaping, head-scratching sages, the toothless, club-waving mob, Feitel's sinister thugs with cigarettes dangling from their mouths, and the orating yentes wielding rolling pins — is as consistently dim as Singer's; the Chelmites' universal uncomeliness in both pictures and action is relieved only by the ludicrous extent of the caricature.

Pub Date: Sept. 1, 1973

ISBN: 0374424292

Page Count: 64

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: Sept. 1, 1973

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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MAYBE

More gift book than storybook, this is a meaningful addition to nursery bookshelves

A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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