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THE MOUSE OF AMHERST

A mouse becomes the perfect poetic companion to the reclusive poet Emily Dickinson in this heartfelt daydream from Spires (With One White Wing, 1995, etc.). When the small mouse Emmaline moves into the Dickinson household, she accidentally reads some scraps of verse penned by Emily. Reading poems inspires the rodent to write her own lines on the back of Emily’s paper, and to leave it for the poet to find. Thus the two become “pen pals,” writing verse and sharing it with each other, though rarely face to face. Readers gain a fanciful mouse’s-eye view of Emily’s life at home, where she is visited by an editor, and where she delivers homemade gingerbread to the neighborhood children by lowering a basket to them on a rope. Emmaline’s life is not as quiet as her human mentor’s; she’s chased by a cat, rooted out by a ferret, and eventually decides she must move on. Years later, Emmaline passes on her appreciation of poetry to her mice children, and continues to write. This diminutive little book, with its shy black-and-white line drawings and amusing plot, is an ideal introduction to Dickinson’s poetry. It’s also a strong advocate for the power of the written word, even in the absence of fame or speech, to communicate, to inspire friendships, and to stir the heart. (Fiction. 8-11)

Pub Date: March 26, 1999

ISBN: 0-374-35083-3

Page Count: 64

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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WOLVES

Varieties, life cycle, pack and hunting behavior, and the current status of this endangered predator—although with what may seem too many transparently rhetorical questions (``Are wolves savage and destructive hunters of people and livestock?'') and fillers (``After wolves kill a large animal, they may rest for a brief time or eat right away''). Without attribution, Simon states that ``...there is no record of a healthy wolf ever trying to kill a human in North America.'' In Gray Wolf, Red Wolf (1990, for slightly older readers), Patent is more precise: ``there is no record of a healthy wild wolf attacking a human.'' Patent also does a better job of stating the case for and against reintroducing wolves in national parks. Still, though his text isn't up to his usual high standard, Simon again selects outstanding photos—this book's strongest and most appealing feature. (Nonfiction. 8-10)

Pub Date: Sept. 30, 1993

ISBN: 0-06-022531-9

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1993

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