by Elizabeth Spires ‧ RELEASE DATE: March 26, 1999
A mouse becomes the perfect poetic companion to the reclusive poet Emily Dickinson in this heartfelt daydream from Spires (With One White Wing, 1995, etc.). When the small mouse Emmaline moves into the Dickinson household, she accidentally reads some scraps of verse penned by Emily. Reading poems inspires the rodent to write her own lines on the back of Emily’s paper, and to leave it for the poet to find. Thus the two become “pen pals,” writing verse and sharing it with each other, though rarely face to face. Readers gain a fanciful mouse’s-eye view of Emily’s life at home, where she is visited by an editor, and where she delivers homemade gingerbread to the neighborhood children by lowering a basket to them on a rope. Emmaline’s life is not as quiet as her human mentor’s; she’s chased by a cat, rooted out by a ferret, and eventually decides she must move on. Years later, Emmaline passes on her appreciation of poetry to her mice children, and continues to write. This diminutive little book, with its shy black-and-white line drawings and amusing plot, is an ideal introduction to Dickinson’s poetry. It’s also a strong advocate for the power of the written word, even in the absence of fame or speech, to communicate, to inspire friendships, and to stir the heart. (Fiction. 8-11)
Pub Date: March 26, 1999
ISBN: 0-374-35083-3
Page Count: 64
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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by James Patterson & Chris Grabenstein ; illustrated by Anuki López ‧ RELEASE DATE: April 1, 2019
A waggish tale with a serious (and timely) theme.
An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.
Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.
A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)Pub Date: April 1, 2019
ISBN: 978-0-316-41156-1
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by James Patterson & Ellen Banda-Aaku with Sophia Krevoy
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