by Elizabeth Stewart illustrated by Christine Brallier ‧ RELEASE DATE: June 30, 2020
An entertaining, thought-provoking spin on rebooting the mind and heart while in quarantine.
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A collection of five vignettes portrays life in the age of Covid-19 quarantines.
In the spring of 2020, arts journalist Stewart, befuddled by the pandemic raging across the globe, laughed “at life’s new absurdities.” As a creative outlet, she began writing humorous tales starring quarantined strangers forced to interact with one another and to ultimately learn more about themselves through the “complexities offered by chaos.” The vignettes imagine a time in August 2020 when a second viral mutation emerges and the government distributes permanently locking bracelets to detect and track the infection. The Forget-Me-Not dive bar is the location for the first story, featuring a discreet regular whose bracelet flashes red and blurts out official warnings. The patrons and staff proceed to drink and become acquainted for their mandatory six-week quarantine. Elsewhere, the situation repeats at the Golden Pin-Up Salon, a gossipy, small-town beauty parlor where the beaming bracelets strike terror in the hearts of a feuding housewife and a distressed colorist. The same bright red beacons flash for other strangers who unexpectedly find themselves quarantining together at a rural Missouri dentist office, a Southern California BMW dealership, and the conference room of a prominent attorney. Once introduced, the heartwarming, character-driven tales progress through short chapter snippets. The cross-section of locales sets the scene for a diverse assortment of characters varying in age, race, and gender—and from all walks of life—who personify differing political persuasions, faiths, and perspectives on life and love. The author leaves no person unaffected or plotline dangling, as all of her players recognize, even if fleetingly, the power of human kindness and self-love. As she demonstrated in her advice book about possessions for parents with millennial children, No Thanks Mom (2017), Stewart exhibits a lust for life and parlays the lessons she’s learned throughout her travels into the engaging storylines of this cornucopia of worthy and addictive characters—with cute line drawings by Brallier included. Amusing and immediately relevant, the collection creates a world mired in uncertainty and turmoil but also a place where people can learn from others and become surprised by their capacity for change.
An entertaining, thought-provoking spin on rebooting the mind and heart while in quarantine.Pub Date: June 30, 2020
ISBN: 978-0-9981025-5-9
Page Count: 180
Publisher: Flandricka House Press
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
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by Hannah Kaner ‧ RELEASE DATE: March 12, 2024
A bold series continuation from a fantasy author to watch.
In a world where old gods can pass away, new divinities may be born.
Hseth, the fire god whose cult murdered Kissen’s family in Godkiller (2023), is no more. However, problems continue to mount for the intrepid young warriors who managed to kill her. The orphaned Inara and her minor-god companion, Skedi, persevere on a seemingly unending search for answers—she to the questions surrounding her paternity, he to an illustrious past he cannot recall. In the aftermath of the climactic battle, King Arren has chosen a path that his best friend, Elo the baker-knight, cannot bring himself to follow, and Elo must reckon with the ramifications of turning his back on his liege. Just as Arren stokes the fires of his own illicit cult—with himself as figurehead—a resistance movement to save what remains of the world’s outlawed gods begins to heat up. Unable to come to terms with Elo’s desire to keep her away from the dangers of war, Inara makes a rash decision that ultimately sets the stage for mass unrest shortly before Arren’s victory tour arrives at their doorstep. Meanwhile, a presumed-dead Kissen fights her way back from the shores of the god who saved her life, only to find herself at odds with her friends’ and family’s goals. You see, Elo, Inara, and the rest have forgotten one very simple rule: Dead gods can always come back. Tested alliances fuel this tightly plotted found-family thrill ride. The worldbuilding is complex, but the reader never feels bogged down beneath its weight. As with the previous installment, queerness and disability are woven into the fabric of the narrative; Kissen and her sisters are queer and disabled, a prominent secondary character is transgender, and several tertiary couples are gay and lesbian. Although the pacing does become a little too frenetic in the novel’s final chapters, as the point of view switches rapidly among protagonists, Kaner has penned another page-turner in this projected trilogy.
A bold series continuation from a fantasy author to watch.Pub Date: March 12, 2024
ISBN: 9780063350106
Page Count: 384
Publisher: Harper Voyager
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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by Hannah Kaner
by Anna Quindlen ‧ RELEASE DATE: March 12, 2024
While Quindlen may lean too hard on the hope motif at the end, this is an emotionally satisfying, absorbing story.
When the title character dies suddenly of an aneurysm, her husband, four children and best friend must deal with their grief and find a path forward.
Annie Fonzheimer grew up in small-town Greengrass, Pennsylvania, and never left. She married “too fast and too young” when she got pregnant by local boy Bill Brown, a plumber by trade. Annie works long hours as an aide at a nursing home and tends to her four children, ages 6 to 13, in a small house that belongs to her mother-in-law, the prickly Dora. But Annie, high-spirited and much adored, is content with her “lovely reliable” life, even if it’s not exactly what she’d expected. She’s a vibrant presence in this novel, despite getting bumped off in the first sentence. Quindlen weaves Annie’s backstory with an account of her survivors, who suffer mightily in her absence. Without her mother, eldest child Ali watches over her younger siblings and navigates a friendship with a girl who harbors a disturbing secret. Best pal Annemarie, whom Annie helped save from drug addition, must decide if she can persevere without her friend’s steadying hand. And Bill, who wasn’t sure about marrying Annie at first—and then found he couldn’t imagine life without her—must sort out his feelings for a woman he was involved with before his wife. Quindlen, whose own mother died when she was 19, is good at this sort of domestic drama, elevating material that might seem over-familiar, even maudlin in other hands; the well-drawn characters and sharp observations keep the reader engaged. “Maybe grief was like homesickness,” Bill muses at one point, “something that wasn’t just about a specific person, but about losing that feeling that you were where you belonged….” Actually, not a lot happens until the novel’s final section, in which, arguably, too much happens.
While Quindlen may lean too hard on the hope motif at the end, this is an emotionally satisfying, absorbing story.Pub Date: March 12, 2024
ISBN: 9780593229804
Page Count: 304
Publisher: Random House
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
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