Well-informed and much-idealized if not entirely simplistic pictures of both the great man and his bustling estate.
Stepping carefully around the controversies, a former curator at Monticello reconstructs the septuagenarian Jefferson’s active daily round.
Jefferson’s fixed routine begins with a faithful recording of temperature and weather at first rising and ends with a final period of solitary reading by candlelight in his unusual alcove bed. In between, the author describes in often fussy detail the range of his interests and enterprises. There’s not only his “polygraph” and other beloved gadgets, but also meals, family members, visitors, and excursions to Monticello’s diverse gardens, workshops and outbuildings. Like the dialogue, which mixes inventions with historical utterances, the generous suite of visuals includes photos of furnishings and artifacts as well as stodgy full-page tableaux and vignettes painted by Elliott. The “slaves” or “enslaved” workers (the author uses the terms interchangeably) that Jefferson encounters through the day are all historical and named—but Sally Hemings and her Jeffersonian offspring are conspicuously absent (aside from a brief name check buried in the closing timeline). Jefferson adroitly sidesteps a pointed question from his grandson, who accompanies him on his rounds, by pleading his age: “The work of ending slavery is for the young.”
Well-informed and much-idealized if not entirely simplistic pictures of both the great man and his bustling estate. (sidebars, endnotes, bibliography) (Nonfiction. 9-11)Pub Date: Feb. 4, 2014
ISBN: 978-1-4197-0541-0
Page Count: 56
Publisher: Abrams
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
A browser’s delight, despite lowering the bar considerably for publishable poetry.
From Alexander the Great’s steed Bucephalus to Dolly the sheep and the first Shamu, a gallery of animals that have played roles, large or small, in human history.
Modeled on the collaborators’ previous Presidential Pets (2012), each of the chronologically ordered entries features a full-page cartoon caricature opposite a mix of at least marginally relevant facts (“Horses sleep both lying down and standing up”) and observations that feel more like filler than anything else. “Josephine changed her name from Rose because Napoleon didn’t like it,” reads one in the piece on a dog that fished Napoleon Bonaparte out of the Mediterranean; “Leonardo never married or had children,” reads another on Leonardo da Vinci’s propensity for freeing caged birds. Also as in Pets, Moberg introduces each chosen creature in verse that ranges from inane to merely laughably inept: Spotting penguins in South America, “Magellan was surprised / That creatures used to snow / Also liked the sun / And life as Latinos!” Some passages are printed over brightly colored backgrounds and so are hard to read. Furthermore, the author provides no sources whatsoever. Still, fans of Keltie Thomas’ Animals That Changed the World (2010) will find new creatures aplenty here, along with the familiar likes of Balto, Koko and Punxsutawney Phil.
A browser’s delight, despite lowering the bar considerably for publishable poetry. (Nonfiction. 9-11)Pub Date: Feb. 10, 2015
ISBN: 978-1-62354-048-7
Page Count: 96
Publisher: Charlesbridge
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
The author of the justly renowned What the Neighbors Thought series digs a little deeper with these equally engaging single...
This brisk and pithy series kickoff highlights Sacagawea’s unique contributions to the Lewis and Clark expedition.
Joining her “clueless” French-Canadian husband and so becoming “part of one of the smartest hiring decisions in history,” 16-year-old Sacagawea not only served as translator and diplomat along the way, but proved an expert forager, cool-headed when disaster threatened, and a dedicated morale booster during four gloomy months in winter quarters. She also cast a vote for the location of those quarters, which the author points to as a significant precedent in the history of women’s suffrage. Krull closes with a look at her subject’s less-well-documented later life and the cogent observation that not all Native Americans regard her in a positive light. In Collins’ color paintings, she poses gracefully in fringed buckskins, and her calm, intelligent features shine on nearly every page. The subjects of the three co-published profiles, though depicted by different illustrators, look similarly smart and animated—and behave that way too. Having met her future husband on a “date,” Dolley Madison (illustrated by Steve Johnson and Lou Fancher) goes on to be a “rock star,” for instance. Long before she becomes a Supreme Court justice with a “ginormous” work load, Sonia Sotomayor (illustrated by Angela Dominguez) is first met giving her little brother a noogie. Though Krull’s gift for artfully compressed narrative results in a misleading implication that the battle of New Orleans won the War of 1812 for the United States, and there is no mention of Forever… in her portrait of “the most banned author in America,” Judy Blume (illustrated by David Leonard), young readers will come away properly inspired by the examples of these admirable rule-breakers.
The author of the justly renowned What the Neighbors Thought series digs a little deeper with these equally engaging single volumes. (source and reading lists, indexes) (Biography. 9-11)Pub Date: June 9, 2015
ISBN: 978-0-8027-3799-1
Page Count: 48
Publisher: Bloomsbury
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: April 1, 2015
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
