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ASHENDEN

A carefully crafted, touching historical that achieves exactly the right note of rewarding readability.

Episodes in the life of a grand British country house, with its upstairs and downstairs dramas, add up to an unusual, engaging, Downton Abbey-esque saga.

Fortunes are lost and gained, relationships forged and broken, individual fates briefly glimpsed then encountered again decades later as the centuries melt into each other in U.K.-based Wilhide’s unusual debut. Architecture, social shifts, private lives and next generations are the running themes, with Ashenden Park, a magnificent Palladian stately home, as the beating heart and central location of the sequence of vignettes that starts in 2010, with the reluctant inheritance of the neglected pile by a brother and sister, and then shifts back to 1775 and the arrival of the golden Bath stone from which it will be built. Wilhide introduces Ashenden’s architect and his gifted apprentice, who is killed in an accident during construction, and then the various owners: a spendthrift noble; a thrifty haberdasher; a property developer. But the servants are included too, the pregnant chambermaids and unfairly dismissed housekeepers. While much of the historical background might seem routine, Wilhide brings freshness and emotional depth to the snapshots and links them astutely. Oddly, the most modern scenes, though tidily interleaved, are the least memorable.

A carefully crafted, touching historical that achieves exactly the right note of rewarding readability.

Pub Date: Jan. 8, 2013

ISBN: 978-1-4516-8486-5

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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OF MICE AND MEN

Steinbeck is a genius and an original.

Steinbeck refuses to allow himself to be pigeonholed.

This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define.  Steinbeck is a genius and an original.

Pub Date: Feb. 26, 1936

ISBN: 0140177396

Page Count: 83

Publisher: Covici, Friede

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Feb. 1, 1936

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