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THE YANKEE AT THE SEDER

On the first night of Passover, days after the Civil War has ended, Jacob sits on his porch snacking on a piece of matzoh. When Yankee soldier Myer Levy wanders by and notices him, he wishes Jacob a good holiday and asks if he might share. Surprised and a bit fearful, Jacob runs inside to inform his mother “there’s a...a Yankee Jew outside!” Putting politics and war aside and following Jewish tradition, Jacob’s mother invites Levy to join the family’s seder. Weber’s story is based on true events and explores the paradox and controversy of owning slaves for wealthy Southern Jews. Using the framework of the traditional Four Questions, the narrative ignites a dialogue between Myer and his host, Mr. Josephson, drawing a connection between the holiday’s celebration of freedom from slavery and the underlying cause of the Civil War. The handsome design features decoratively framed text boxes opposite Gustavson’s expressive, realistic oil paintings. Should spark discussion around the seder table and in classrooms of history. (glossary, historical notes) (Picture book/religion. 7-10)

Pub Date: March 1, 2009

ISBN: 978-1-58246-256-1

Page Count: 40

Publisher: Tricycle

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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TWENTY-ONE ELEPHANTS

Fact and fiction dovetail neatly in this tale of a wonderfully resolute child who finds a memorable way to convince her father that the newly-finished Brooklyn Bridge is safe to cross. Having watched the great bridge going up for most of her young life, Hannah is eager to walk it, but despite repeated, fact-laced appeals to reason (and Hannah is a positive fount of information about its materials and design), her father won’t be moved: “No little girl of mine will cross that metal monster!” Hannah finally hatches a far-fetched plan to convince him once and for all; can she persuade the renowned P.T. Barnum to march his corps of elephants across? She can, and does (actually, he was already planning to do it). Pham places Hannah, radiating sturdy confidence, within sepia-toned, exactly rendered period scenes that capture both the grandeur of the bridge in its various stages of construction, and the range of expressions on the faces of onlookers during its opening ceremonies and after. Readers will applaud Hannah’s polite persistence. (afterword, resources) (Picture book. 7-10)

Pub Date: Oct. 1, 2004

ISBN: 0-689-87011-6

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2004

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MONSTER MATH

Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)

Pub Date: Aug. 1, 1999

ISBN: 0-15-201835-2

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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