While at times a bit saccharine, a worthy, heartfelt effort.

MY LAST NAME IS GRANDMA

Colvin’s debut work is a sweet series of vignettes by a doting grandmother.

In her nonfiction account of the joys of being a grandmother, Colvin tells a series of Chicken Soup for the Soul-esque stories, centering mostly on the learning experiences of her two eldest grandchildren, KeeKee and TraTra. With a clear, readable prose, Colvin shares stories about how her beloved grandchildren interact with one another, solve conflicts and even argue. Colvin, a retired United States Air Force Nurse Corps officer, even learns a few lessons herself. While the book is an easy, feel-good read, it glosses certain significant details. Colvin doesn’t delve into why her grandchildren spend so much time with her and not their respective parents; she also focuses on the two older grandchildren in her brood of six, leaving the reader wondering about the remaining four. But Colvin does share some wise words regarding grandparenting. For one, she admits that she sometimes loves her grandchildren more than her own children. She also brings to light what nearly every grandparent knows but is hard-pressed to explain: Grandchildren really do make you see the world in a whole new light; they bring all the innocent and unbridled love that children do, yet grandchildren involve much less work and worry. Instead, Colvin and her husband can focus on the here and now. Colvin’s descriptions shine throughout, including one tale of spending three weeks with KeeKee and TraTra at her own mother’s house. The group frolicked in the sun, cooked together and generally just basked in generations of family.

While at times a bit saccharine, a worthy, heartfelt effort. 

Pub Date: Nov. 4, 2011

ISBN: 9781467062213

Page Count: 108

Publisher: AuthorHouse

Review Posted Online: Dec. 21, 2012

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A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

HAPPY-GO-LUCKY

Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.

In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.

A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

Pub Date: May 31, 2022

ISBN: 978-0-316-39245-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: March 11, 2022

Kirkus Reviews Issue: April 1, 2022

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A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

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ON JUNETEENTH

The Harvard historian and Texas native demonstrates what the holiday means to her and to the rest of the nation.

Initially celebrated primarily by Black Texans, Juneteenth refers to June 19, 1865, when a Union general arrived in Galveston to proclaim the end of slavery with the defeat of the Confederacy. If only history were that simple. In her latest, Gordon-Reed, winner of the Pulitzer Prize, National Book Award, Anisfield-Wolf Book Award, and numerous other honors, describes how Whites raged and committed violence against celebratory Blacks as racism in Texas and across the country continued to spread through segregation, Jim Crow laws, and separate-but-equal rationalizations. As Gordon-Reed amply shows in this smooth combination of memoir, essay, and history, such racism is by no means a thing of the past, even as Juneteenth has come to be celebrated by all of Texas and throughout the U.S. The Galveston announcement, notes the author, came well after the Emancipation Proclamation but before the ratification of the 13th Amendment. Though Gordon-Reed writes fondly of her native state, especially the strong familial ties and sense of community, she acknowledges her challenges as a woman of color in a state where “the image of Texas has a gender and a race: “Texas is a White man.” The author astutely explores “what that means for everyone who lives in Texas and is not a White man.” With all of its diversity and geographic expanse, Texas also has a singular history—as part of Mexico, as its own republic from 1836 to 1846, and as a place that “has connections to people of African descent that go back centuries.” All of this provides context for the uniqueness of this historical moment, which Gordon-Reed explores with her characteristic rigor and insight.

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

Pub Date: May 4, 2021

ISBN: 978-1-63149-883-1

Page Count: 128

Publisher: Liveright/Norton

Review Posted Online: Feb. 24, 2021

Kirkus Reviews Issue: March 15, 2021

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