While at times a bit saccharine, a worthy, heartfelt effort.
Colvin’s debut work is a sweet series of vignettes by a doting grandmother.
In her nonfiction account of the joys of being a grandmother, Colvin tells a series of Chicken Soup for the Soul-esque stories, centering mostly on the learning experiences of her two eldest grandchildren, KeeKee and TraTra. With a clear, readable prose, Colvin shares stories about how her beloved grandchildren interact with one another, solve conflicts and even argue. Colvin, a retired United States Air Force Nurse Corps officer, even learns a few lessons herself. While the book is an easy, feel-good read, it glosses certain significant details. Colvin doesn’t delve into why her grandchildren spend so much time with her and not their respective parents; she also focuses on the two older grandchildren in her brood of six, leaving the reader wondering about the remaining four. But Colvin does share some wise words regarding grandparenting. For one, she admits that she sometimes loves her grandchildren more than her own children. She also brings to light what nearly every grandparent knows but is hard-pressed to explain: Grandchildren really do make you see the world in a whole new light; they bring all the innocent and unbridled love that children do, yet grandchildren involve much less work and worry. Instead, Colvin and her husband can focus on the here and now. Colvin’s descriptions shine throughout, including one tale of spending three weeks with KeeKee and TraTra at her own mother’s house. The group frolicked in the sun, cooked together and generally just basked in generations of family.
While at times a bit saccharine, a worthy, heartfelt effort.Pub Date: Nov. 4, 2011
ISBN: 9781467062213
Page Count: 108
Publisher: AuthorHouse
Review Posted Online: Dec. 21, 2012
Review Program: Kirkus Indie
An intriguing but uneven family memoir and travelogue.
An author’s trip to Venice takes a distinctly Borgesian turn.
In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.
An intriguing but uneven family memoir and travelogue.Pub Date: April 2, 2024
ISBN: 9781953368669
Page Count: 144
Publisher: Belt Publishing
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
An engaging childhood memoir and a deeply affectionate tribute to the author’s parents.
The bestselling author recalls her childhood and her family’s wartime experiences.
Readers of Winspear’s popular Maisie Dobbs mystery series appreciate the London investigator’s canny resourcefulness and underlying humanity as she solves her many cases. Yet Dobbs had to overcome plenty of hardships in her ascent from her working-class roots. Part of the appeal of Winspear’s Dobbs series are the descriptions of London and the English countryside, featuring vividly drawn particulars that feel like they were written with firsthand knowledge of that era. In her first book of nonfiction, the author sheds light on the inspiration for Dobbs and her stories as she reflects on her upbringing during the 1950s and ’60s. She focuses much attention on her parents’ lives and their struggles supporting a family, as they chose to live far removed from their London pasts. “My parents left the bombsites and memories of wartime London for an openness they found in the country and on the land,” writes Winspear. As she recounts, each of her parents often had to work multiple jobs, which inspired the author’s own initiative, a trait she would apply to the Dobbs character. Her parents recalled grueling wartime experiences as well as stories of the severe battlefield injuries that left her grandfather shell-shocked. “My mother’s history,” she writes, “became my history—probably because I was young when she began telling me….Looking back, her stories—of war, of abuse at the hands of the people to whom she and her sisters had been billeted when evacuated from London, of seeing the dead following a bombing—were probably too graphic for a child. But I liked listening to them.” Winspear also draws distinctive portraits of postwar England, altogether different from the U.S., where she has since settled, and her unsettling struggles within the rigid British class system.
An engaging childhood memoir and a deeply affectionate tribute to the author’s parents.Pub Date: Nov. 10, 2020
ISBN: 978-1-64129-269-6
Page Count: 314
Publisher: Soho
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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