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KEEPING THE HOUSE

Melodramatic contrivances test the reader’s credulity, but appealing characters and a deft, non-linear structure generate...

Baker’s sprawling debut recounts the woes of a wealthy Midwestern family from the turn of the 20th century to the dawn of the 1950s.

The imposing, vacant Mickelson house attracts the attention of 20-year-old housewife Dolly Magnuson when she arrives in Pine Rapids, Wis., in 1950. Her husband Byron, part owner of a Chrysler dealership, is content with their undistinguished bungalow, but Dolly, ambivalent about a life of dutifully following Good Housekeeping recipes and other dictates for happy homemaking, dreams of restoring and someday owning the Mickelson mansion. She pieces together its history while attending gossipy meetings of the local Ladies Aid and befriends one of the family’s youngest and most troubled members. The narrative circles back to follow a second story line beginning in 1896, when newlyweds John and Wilma Mickelson move into the house built by his father, Knute, a Norwegian immigrant who amassed a fortune in the lumber industry. Wilma, a talented pianist who sacrificed school for marriage, is instantly smitten with her brother-in-law Gust, and he with her. Although they repress their desires, her less-than-wifely feelings torment Wilma, especially after Gust dies in a logging accident. Years later, her grief is compounded when favorite son Chase joins the Marines with his older brother Jack and is killed in World War I. Built on land that may be cursed, the house seems to doom successive generations to lucklessness in love. Jack’s daughter Elissa falls for a Southern corporal who unwittingly holds a catastrophic family secret; her alcoholic brother JJ, who lost part of his leg in World War II, has an unsettling effect on his Uncle Harry’s fiancée—and on Dolly, when she meets him. But Dolly and JJ, as well as the other remaining Mickelsons, may yet find the means to forge their own destinies.

Melodramatic contrivances test the reader’s credulity, but appealing characters and a deft, non-linear structure generate interest and suspense.

Pub Date: July 17, 2007

ISBN: 1-4000-6635-2

Page Count: 544

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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