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IF AN ARMADILLO WENT TO A RESTAURANT

A good joke that lost its way a bit.

What do animals eat? In question-and-answer form, the human narrator compares animal restaurant orders with her own.

This lengthy joke follows a repetitive pattern. There’s a question that includes the usual locomotive pattern and habitat of one of nine interesting creatures. A silly answer is followed by a more sensible one. “If a RATTLESNAKE slithered through a desert cafeteria, what would she choose?” Not “[b]eans and rice” but “[s]everal rodents and a lizard.” Sea turtles crawl, butterflies flutter, wallabies hop, hedgehogs “[stop] by a forest food court,” ostriches run, and octopuses swim; the animals are of both sexes. The only variation in the pattern is in the pacing. Some questions and answers occupy a spread; others include the page turn. Beginning with the spaghetti-twirling armadillo on the cover, Wood’s quirky creatures add to the humor, which might well spur listeners to make up some menus of their own. The author and illustrator have their giraffe eating from wild apricot trees rather than the acacias that are so prevalent in the giraffes’ savanna habitat. While their diet includes wild apricots and mimosa, acacias are at its core.

A good joke that lost its way a bit. (Picture book. 4-7)

Pub Date: July 2, 2014

ISBN: 978-1-938063-39-8

Page Count: 32

Publisher: Scarletta Press

Review Posted Online: April 29, 2014

Kirkus Reviews Issue: May 15, 2014

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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