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THE LAST CHEATER'S WALTZ

BEAUTY AND VIOLENCE IN THE DESERT SOUTHWEST

A thoughtful recounting of one woman’s travels in the post—Cold War American West. Meloy (Raven’s Exile, not reviewed), an award-winning writer and river-runner who lives in southeastern Utah, writes that she awoke one morning to discover that she was “either helplessly unmoored from my Self or hopelessly lost in the murk of Self”—a sticky tangle either way. To reattach herself to herself and also to her chosen turf, this “duck-and-covergirl born in the nuclear West” decided to revisit the land of her youth, where the Kennedy-era promise of atomic energy too cheap to meter and of mutual assured destruction kept the nation teetering between existential gloom and technology-born optimism. Meloy’s wanderings take her to the back roads of the desert Southwest, to hidden canyons where Navajo witchcraft and toxic waste reign side by side, and to little towns where uranium miners wait for cancer to claim them; collectively, the author calls these places “the terrain of strategic death.” Her travels ultimately guide her to the birthplace of the nuclear age: Los Alamos, N.M., where Meloy gives us a tour of the famed laboratory where the A-bomb was invented—but also of the surrounding countryside, where dealers in nuclear curios ply their trade “against [a] Wile E. Coyote backdrop.” Much has changed in the West since nuclear peace broke out a decade ago; as Meloy writes, “Ground zero in the nineties has at first an oddly pastoral luminosity—pastoral, that is, to desert denizens like me, who are accustomed to harmonious ‘emptiness’ and therefore find nothing missing” in the empty landscape. But in the end, as she shows us, the desert remains the desert, timelessly indifferent to human foibles. Meloy has not only rediscovered her connection to the badlands’she’s also made a fine book in the bargain. (Author tour)

Pub Date: March 1, 1999

ISBN: 0-8050-4065-X

Page Count: 256

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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SILENT SPRING

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!

It should come as no surprise that the gifted author of The Sea Around Usand its successors can take another branch of science—that phase of biology indicated by the term ecology—and bring it so sharply into focus that any intelligent layman can understand what she is talking about.

Understand, yes, and shudder, for she has drawn a living portrait of what is happening to this balance nature has decreed in the science of life—and what man is doing (and has done) to destroy it and create a science of death. Death to our birds, to fish, to wild creatures of the woods—and, to a degree as yet undetermined, to man himself. World War II hastened the program by releasing lethal chemicals for destruction of insects that threatened man’s health and comfort, vegetation that needed quick disposal. The war against insects had been under way before, but the methods were relatively harmless to other than the insects under attack; the products non-chemical, sometimes even introduction of other insects, enemies of the ones under attack. But with chemicals—increasingly stronger, more potent, more varied, more dangerous—new chain reactions have set in. And ironically, the insects are winning the war, setting up immunities, and re-emerging, their natural enemies destroyed. The peril does not stop here. Waters, even to the underground water tables, are contaminated; soils are poisoned. The birds consume the poisons in their insect and earthworm diet; the cattle, in their fodder; the fish, in the waters and the food those waters provide. And humans? They drink the milk, eat the vegetables, the fish, the poultry. There is enough evidence to point to the far-reaching effects; but this is only the beginning,—in cancer, in liver disorders, in radiation perils…This is the horrifying story. It needed to be told—and by a scientist with a rare gift of communication and an overwhelming sense of responsibility. Already the articles taken from the book for publication in The New Yorkerare being widely discussed. Book-of-the-Month distribution in October will spread the message yet more widely.

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!  

Pub Date: Sept. 27, 1962

ISBN: 061825305X

Page Count: 378

Publisher: Houghton Mifflin

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: July 1, 1962

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PILGRIM AT TINKER CREEK

This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.

Pub Date: March 13, 1974

ISBN: 0061233323

Page Count: -

Publisher: Harper's Magazine Press

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: March 1, 1974

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