Invaluable in this moment and beyond.
A tenderhearted, life-affirming exploration of the depressive cycle through simple language and a rich visual vocabulary.
Bear and Smile seem inseparable. They do everything together: wake, munch, roam floral fields and wooded wilderness, plunge into waterfalls, and slurp golden gobs of honey. Suffused with a solar glow, vibrant illustrations undergirded by the inimitable texture of Arches paper initially exude the most wonderful warmth. All is clearly well—but, as the world has a habit of reminding us, great difficulties sometimes arrive abruptly. One morning—without warning, without reason—Bear finds himself alone. Smile is nowhere to be found. Amid Bear’s gloomy landscape, a few objects retain their true colors, but the rest of the world is subsumed by a deep blue malaise. Rabbit notices something is amiss and suggests Bear seek Smile in his favorite places; Bear searches everywhere, to no avail. Bear slurps a pawful of honey as a last resort; still, Smile doesn’t return. As hope fades, Bird swoops in and asks what’s wrong. Bear shares his sorrow, and Bird sits alongside him. They share the comfortable silence of confidants—until Bird begins to sing, softly at first, then louder as Bear hums in harmony. As they fill the forest with song, something stirs deep within Bear. As it rises, the world slowly shifts. Color imbues the page. Life irrupts anew. At long last, Smile appears on Bear’s face. (This book was reviewed digitally with 9-by-19.6-inch double-page spreads viewed at 57% of actual size.)
Invaluable in this moment and beyond. (Picture book. 5-10)Pub Date: Sept. 29, 2020
ISBN: 978-1-5344-6619-7
Page Count: 48
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
Tell it to the bees. The ancient art of beekeeping is alive and well in Brooklyn, N.Y. Fred is dedicated to his bees and greets them each morning on his rooftop. He has named the queens Mab, Boadicea and Nefertiti, after legendary historic figures; the bees are his “sweeties” and his “darlings.” He hums with them as they swarm and flies with them in his imagination as they search for the most fragrant flowers. When the time is right, he carefully gathers their honey, jars it, shares it with his neighbors and, of course, savors some of that luscious honey himself. Nargi’s descriptive language is filled with smell and sound and sight, carrying readers right up to that rooftop with Fred, while seamlessly interweaving detailed information about beekeeping. An afterword of “amazing facts” explains more about apiarists, bees’ life cycles and more, all in light, easy-to-understand syntax. Brooker’s oil-and-collage illustrations, appropriately rendered in greens and browns, golds and ambers, enhance the text beautifully. They accurately depict Fred’s and the bees’ actions while creating a stylized, fanciful view of a homey Brooklyn neighborhood, complete with a view of the Brooklyn Bridge. Even the endpapers are integral to the work, presenting labeled diagrams of bees and beekeeping materials. Eccentric and unusual with an appealing, gentle charm. (Picture book. 5-10)
Pub Date: March 8, 2011
ISBN: 978-0-375-84980-0
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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